Mathieu Amalric Quotes
I first started working in film when I was 17. I was a director's assistant, an editor.
Quotes to Explore
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First responders will be on the frontlines if there is a terrorist attack in our communities, and we must provide them with the tools they need to do their difficult jobs.
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I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive 'stress' of intense happiness, can compel me to express myself through the written word.
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If North American musicians would only know how uncomfortable life is for European musicians.
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I like writing about places, about people and environments. When I create a world, it lets me go in and define the details of that world.
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I believe nobody is stronger than the state. So the state would be strong, and we have to work altogether to make the strength of the state.
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Everybody is improving but I am improving slowly, which seemingly widens our distance.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
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To be honest, I am somebody that, as long as I have a character, it doesn't really matter if it's comedy or drama - I think timing is important in either. But for me, it's all about having a character to work on.
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It wasn't until after I was reelected in 1982 that I thought of myself as a long-term member of Congress.
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I'm enslaved to writing to the point where I sacrifice almost everything else.
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I don't believe that employers should have access to an employee's private passwords, including Facebook.
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I got to work with one of my heroes, Johnny Depp, and to see how he goes about business, which was really inspiring for me at this stage in my career.
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You don't have to live in a garage to write great poetry.
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I want America to know that you can't believe everything you hear, and nowadays, you can't believe everything you see.
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Opportunity dances with those already on the dance floor.
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Cain Velasquez, he has some technical difficulties, but he has ambition, and he's fearless. He wants to win so badly, and he's in great condition. He's a thinking fighter.
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You spend enough time with someone, you're going to have your run-ins.
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We couldn't get along without him. We needed Johnny as much as he needed the gang. And for the same reason.
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There are no mistakes, only happy accidents.
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I will make a prophecy that may now sound peculiar. In fifty years Lincoln's name will be inscribed close to Washington's on this Republic's roll of honor.
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There were really funny characteristics about this guy Richard Nixon, chief of which would be that he seemed to devote about 85 percent of his waking energy to suppressing any sign of his emotional response to anything that was going on around him, and the other 15 percent blurting out those authentic responses in the silliest and most inopportune ways. And he had these smiles that would come at the most inappropriate times - just flashes that there was an inner life screaming to get out.
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The world can fall to pieces around us, but in the end, we'll always make it back to us.
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I first started working in film when I was 17. I was a director's assistant, an editor.
