Mathieu Amalric Quotes
I first started working in film when I was 17. I was a director's assistant, an editor.
Quotes to Explore
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First responders will be on the frontlines if there is a terrorist attack in our communities, and we must provide them with the tools they need to do their difficult jobs.
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I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive 'stress' of intense happiness, can compel me to express myself through the written word.
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If North American musicians would only know how uncomfortable life is for European musicians.
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I like writing about places, about people and environments. When I create a world, it lets me go in and define the details of that world.
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I believe nobody is stronger than the state. So the state would be strong, and we have to work altogether to make the strength of the state.
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Everybody is improving but I am improving slowly, which seemingly widens our distance.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
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My name is Natasha Trethewey, and I was born in Gulfport, Mississippi, in 1966, exactly 100 years to the day that Mississippi celebrated the first Confederate Memorial Day, April 26, 1866.
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I think hallucinations need to be discussed. There are all sorts of hallucinations, and then many sorts which are okay, like the ones I think which most of us have in bed at night before we fall asleep, when we can see all sorts of patterns or faces and scenes.
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To be honest, I am somebody that, as long as I have a character, it doesn't really matter if it's comedy or drama - I think timing is important in either. But for me, it's all about having a character to work on.
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It wasn't until after I was reelected in 1982 that I thought of myself as a long-term member of Congress.
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I'm enslaved to writing to the point where I sacrifice almost everything else.
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I don't believe that employers should have access to an employee's private passwords, including Facebook.
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I got to work with one of my heroes, Johnny Depp, and to see how he goes about business, which was really inspiring for me at this stage in my career.
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I don't think there are enough stories told about black men and their relationships and how they build and bond with one another.
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You don't have to live in a garage to write great poetry.
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I want America to know that you can't believe everything you hear, and nowadays, you can't believe everything you see.
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I am more than just a label. Why are people so driven to labeling where we fall on the sexual spectrum?
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I got active in this business of politics and self-government in 1958 when my father, who was serving in the U.S. Army, took us to the battlefield of Verdun.
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I remember what I was like as a teenager, with an enormous amount of energy and hormones. You have to be able to release it, and dancing is really an innocent way.
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I was a big fighter when I was younger. In bars I was ready to explode and fight.
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I first started working in film when I was 17. I was a director's assistant, an editor.
