Matt Bomer Quotes
I think people in theater are pretty open-minded and objective about the talent and what they can bring to the story they want to tell.
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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I think knowing where you can generally fit is important, but the fun thing about being an actor is sometimes stretching beyond that stereotype and stretching beyond the box that people put you in.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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If the people are happy, united, wealthy, and powerful, we presume the rest. We conclude that to be good from whence good is derived.
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I think that I have self esteem issues, really. If you really analyse it... People who really like me I have no interest in. The unattainable is always that I want to attain.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I love talking to people, hearing people's stories; I love honest things.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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A lot of people don't realize that hair is a big thing for a lot of people, not just African-American women. It's something to be aware of and to be cautious of.
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What I say is that, if a fellow really likes potatoes, he must be a pretty decent sort of fellow.
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After all, life hasn't much to offer except youth, and I suppose for older people, the love of youth in others.
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I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.
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I'm aware people will think I've had an easy way into a dream career. My view is, if anyone has opportunities, they'll take them. My surname opens doors, but those doors will slam firmly if I'm no good.
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At least international media can see how I am trying to change the typical orthodox mindset of people who don't want to come out of their shells of false beliefs and old practices.
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Character is the indelible mark that determines the only true value of all people and all their work.
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My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
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Working with great people makes you great; you learn a lot and it also gives you the experience and confidence to move on with your own career.
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Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
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I don't like things to be overcharged, because otherwise everyone starts getting nervous. I try to be very well organized. When I write the script, everything is already in there, like the decoupage.
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The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
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The idea of being the Substitute in offering an atonement to satisfy the demands of God’s law for others was something Christ understood as His mission from the moment He entered this world and took upon Himself a human nature. He came from heaven as the gift of the Father for the express purpose of working out redemption as our Substitute, doing for us what we could not possibly do for ourselves.
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I have a theory of relatives, too. Don't hire 'em.
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I think people in theater are pretty open-minded and objective about the talent and what they can bring to the story they want to tell.
