Matt Dillon Quotes
That's the great thing about being an actor, you know, you can just jump to different jobs.

Quotes to Explore
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The arts can play a vital role in revitalizing neighborhoods, using and improving vacant space, bringing new jobs and new sense of opportunity, and improving public safety by generating more foot traffic and more eyes on the street.
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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I think I would encourage leaders to start working with communities in order to inoculate angry, young teenagers.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.'
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In many films, as many different characters, I've killed many different people.
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I remember in particular my first victory when I achieved a very fast time in what were perfect conditions but since then the wind has always been a factor against me.
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It was my wish since I was a child to become something, to be able to stand on my own two feet, to do something for myself.
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Life is short, and we should respect every moment of it.
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Without understanding yourself, what is the use of trying to understand the world?
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The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
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No flying machine will ever fly from New York to Paris.
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Be your true self. Because if you're not, there are consequences to be paid.
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I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. We've got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
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I think the reason I love 'Antiques Roadshow' is that it is sort of like the lottery. There's the chance a regular Joe could walk in with anything and come out close to a millionaire. There's the thrill of the find.
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Self-esteem is made up primarily of two things: feeling lovable and feeling capable.
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I'm trying to work, be diverse and multi-talented.
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You can't impose a legacy.
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Roy, this is my wife, Georgina Spica - she has a heart of gold and a body to match... and I am Albert Spica and I have a heart of gold and a great deal of money to match.
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When you are no longer a boy, you have to be tough.
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However old-fashioned and right-wing this may sound, the American genius for language lies in understatement, in saying things simply, pointedly and quickly, and in making new and clean and swift what otherwise might be ponderous, round and slow.
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If you take the more general role of going to local stations around the country in Montana or South Carolina or wherever, and start in the local news, it's a lot more difficult to get to the stories that you want to really cover.
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The history of blackness is also a history of erasure.
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That's the great thing about being an actor, you know, you can just jump to different jobs.