Matt Groening Quotes
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People go into cartooning because they're shy and they're angry. That's when you're sitting in the back of a classroom drawing the teacher.
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I love the idea that we put in jokes the kids don't get. And that later, when they grow up and read a few books and go to college and watch the show again, they can get it on a completely different level.
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Living creatively is really important to maintain throughout your life. And living creatively doesn't mean only artistic creativity, although that's part of it. It means being yourself, not just complying with the wishes of other people.
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There's always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation. But you can do good stuff either way. The Pixar movies are amazing in what they do, but there's plenty of independent animators who are doing really amazing things as well.
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I've loved science fiction ever since I was a little kid, mainly from looking at the covers of science-fiction magazines and books, and I've read quite extensively as an adult.
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We did 'The Simpsons Movie,' which took almost four years; it was the same people that do the TV show, and it just killed us. So that's why there hasn't been a second movie. But I imagine if the show ever does go off the air, they'll start doing movies.
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I also found child's play - stuff that was not considered serious, but goofy - was the stuff I liked to do, so I still do it as an adult.
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Don't have a cow, man.
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'The Simpsons' basically - and 'Futurama' - are really smart shows. They're kind of disguised as these goofy animated sitcoms, but the references within the shows, if you're paying attention, are pretty smart and pretty sophisticated.
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'The Simpsons' is an especially collaborative show.
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As astute followers of 'Life in Hell' will notice, Akbar and Jeff wear the same striped T-shirt as Charlie Brown. 'Peanuts' was very important to me.
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Since I was there in the very beginning, I know the history of the characters. So, I make comments about the tone and sometimes remind the writers that we've done that before.
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Here's to alcohol: the cause of, and answer to, all of life's problems.
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Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
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The scary thing about the future... there will be tiny cameras everywhere, and they'll be flying around like mosquitoes and drones. That will be bad. Drones are scary. You can't reason with a drone.
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'The Simpsons' from the very beginning was based on our memories of brash '60s sitcoms - you had a main title theme that was bombastic and grabbed your attention - and when you look at TV shows of the 1970s and '80s, things got very mild and toned down and... obsequious.
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I thought I was going to make crazy cartoons for the rest of my life. I didn't think I'd ever get paid for it, didn't think I drew well enough, but I knew it made me happy.
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Basically, everything I try to do is to present an alternative to what somebody else is doing.
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Science fiction and comedy are generally a pretty bumpy mix.
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The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.
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I always say that 'Futurama' is real, and 'The Simpsons' is fiction.
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Love is a perky elf dancing a merry little jig and then suddenly he turns on you with a miniature machine gun.
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It's just hard not to listen to TV: it's spent so much more time raising us than parents have.
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Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked.