Pedro Pascal Quotes
I had a really hard time in Orange County. I was a nerd. I was watching foreign cinema when I was 13 and talking about how 'Hope and Glory' should be a foreign film.
Quotes to Explore
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It's a hard thing to imagine how somebody copes with grief and at the same time has to build a new life.
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Every idea has its time.
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For love would be love of the wrong thing; there is yet faith, But the faith and the love and the hope are all in the waiting.
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We're immersed in the spirit of God all the time. We just don't notice.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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I felt like an outsider. The only time you get to really know guys is on the ice, and I couldn't be there.
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I have a lot of connection to Pataudi. I have spent a lot of time there and I love the place very much, but at no point, do I consider myself a Nawab.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
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I had spent time in New York, where I loved the idea that theater could be done up in tiny little rooms rather than for lots of money on a big stage, and be tied to ordinary life.
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I guess life offers you opportunities to live your dream. We just have to accept what comes our way and live those moments completely. You will not get back this time again, so live every moment you get.
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Miz and I have known each other for a long time, and we really know, like, how to get at each other's nerves.
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You have to be forward-moving and able to balance a lot of things at the same time. I attribute a lot of that to the Marine Corps and Juilliard both.
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I couldn't get that same feeling during the day, with my hands in dirty dish water and the hard sun showing up the dirtiness on the roof tops. And after a time, even at night, the feeling of God didn't last.
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By the time I started doing TV and film, I was in my forties, so I wasn't going to do the young up-and-comer.
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As long as I am given the opportunity to keep performing and keep exploring in whatever medium, I'll be happy. As long as I get to spend time with my family, I'll be happy. As long as I can write in some form, I'll be happy. It is the essential things like that I equate with happiness.
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If you talk to most businessmen, they'll say that what they do is for the public good, but you know they're just greedy, and consumers are just consuming for the sake of their own greed.
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When people start asking you to do the same thing over and over again, that's when you know you're way too close to something that you don't want to be near.
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I'm not really into method acting - the way I was taught was the good old-fashioned British way of just doing your research and getting on with it.
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You don't create jobs by passing bills, you create jobs by cutting taxes.
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It's pretty easy in theatre. The comedy's either physical or verbal, and you're looking at the whole frame at once. But TV executives want close-ups. I keep telling them to look at Preston Sturges' movies. He'll do a whole scene without a cut in it, and it's a riot.
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I had a really hard time in Orange County. I was a nerd. I was watching foreign cinema when I was 13 and talking about how 'Hope and Glory' should be a foreign film.
