Matt Hasselbeck Quotes
It's definitely hard when you're putting in the work and the guy who's starting isn't, especially if he's overhyped or you're not winning. I can't imagine how hard it would be to be that guy's backup.
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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Remember that the most valuable antiques are dear old friends.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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Ignorance of what real learning is, and a consequent suspicion of it; materialism, and a consequent intellectual laxity, both of these have done destructive work in the colleges.
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Imagine if someone like John Lennon or Bob Marley, Sid Vicious, Picasso, whomever, were doing their work, and some corporation, some CEO, some branding entity was saying to you, 'Well, you can do that, but you've got to remove this aspect of your work.' There would no longer be that purity anymore.
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Never despair, but if you do, work on in despair.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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Deficiency motivation doesn't work. It will lead to a life-long pursuit of try to fix me. Learn to appreciate what you have and where and who you are.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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I learned about M&A and how to value assets and work with investment bankers.
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I work out every day. My friends say that I became an actress by chance; I should have become a gym trainer. I am the most grumpiest and irritable person if I don't work out for two days. You cannot have a conversation with me.
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The climate at country radio is very, 'Let's keep it up-tempo,' probably best if you're a guy.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I've never been someone that was sort of blessed with an innate talent of just being able to do things. I had to work at it and learn from mistakes.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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I love to work with performers that are very different to me.
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I have always believed in the fact that it's your work that is going to figure out things for you. As long as you are true to your work, I think you are gonna be fine.
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I do still get the odd fan letter about The Good Life, clearly written by somebody aged 18, who says: Will you send a photograph? And I think: Maybe it's kinder not to. I'm deeply into my 50s now.
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I think everyone feels alone in their sadness, and there's a certain value to hearing other people's sad stories.
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My first job was in a nursing home - a terrible place in retrospect. It was in an old house, and the residents were so lonely. People rarely visited them. I only stayed there a couple of months, but it made a strong impression on me.
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I’ve always preferred having girlfriends to just seeing people.
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It's definitely hard when you're putting in the work and the guy who's starting isn't, especially if he's overhyped or you're not winning. I can't imagine how hard it would be to be that guy's backup.
