James Russell Lowell Quotes
The capacity of indignation makes an essential part of the outfit of every honest man.
Quotes to Explore
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Beauty means expression and being your most authentic self.
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I was a big 'Battlestar Galactica' fan and 'Star Trek' fan. I grew up watching those.
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Verily He answereth him who prayeth unto Him, and is near unto him who calleth on Him.
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Life is one long process of getting tired.
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Great talents are the most lovely and often the most dangerous fruits on the tree of humanity. They hang upon the most slender twigs that are easily snapped off.
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I have always tried to make profitable films because people's offices shut down if films fail, and I will do everything to avoid that.
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If I can't face my accusers, that's a joke. We did that in medieval times.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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Orange blossom water would make a magical addition to your store cupboard.
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Compromise, contrary to popular opinion, does not mean selling out one's principles. Compromise means working out differences to forge a solution which fits the diversity of the body politic.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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The man who practises unselfishness, who is genuinely interested in the welfare of others, who feels it a privilege to have the power to do a fellow-creature a kindness - even though polished manners and a gracious presence may be absent - will be an elevating influence wherever he goes.
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My wife is pretty geeky and will occasionally quote 'Anchorman' at me.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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Mickey Mouse is, to me, a symbol of independence. He was a means to an end.
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Football sometimes is stressful. Music is more of a kind of laid-back type, chilled-out kind of activity. It kind of keeps me balanced, I guess.
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I kind of liked the idea of filming musicians. I could like a musician and know, at the same time, maybe nobody else maybe liked them much or appreciated them.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.
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As far as friendships go, things change even without the fame. People start moving on. I have a few friends that are married and are starting to have kids and I'm like, 'Oh my goodness gracious - that's so insane.' I also have friends who are just doing their own thing, which is cool.
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To rewrite history on the bases of hypotheses which have not materialized is not only a fruitless task, but, in my eyes, meaningless.
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These same experiences make of the sequence of life cycles a generational cycle, irrevocably binding each generation to those that gave it life and to those for whose life it is responsible. Thus, reconciling lifelong generativity and stagnation involves the elder in a review of his or her own years of active responsibility for nurturing the next generations, and also in an integration of earlier-life experiences of caring and of self-concern in relation to previous generations.
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The capacity of indignation makes an essential part of the outfit of every honest man.
