Vince Clarke Quotes
That's where my influences lie, in the blues with people like Muddy Waters and Tina Turner. At first I didn't really like the idea of working with synthesizers but now I think they're fun, there are no restrictions. Not that I understand how they work.
Quotes to Explore
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I'm always looking for that sense of fun and adventure and even unlikeability. I don't want to be the obvious leading lady. I have the most fun playing these girls who are a little damaged and maybe a little insecure and trying to overcompensate for it.
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I've never managed to keep a journal longer than two weeks.
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Starting in business is like getting married... there is really no good time and no bad time. The time is now.
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We were then satisfied that, with proper lubrication and better adjustments, a little more power could be expected. The completion of the motor according to drawing was, therefore, proceeded with at once.
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People often ask me whether I believe in God. I haven't seen God. But I think that one's beliefs are one's God - and, in those terms, yes, God is there.
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I want to teach. I've got to figure a way to continue doing this in some capacity.
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Few things are as essential as education.
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I have all of these lives that I want the music to live, but at the end of the day, it's out there.
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We have to honor our commitments to today's beneficiaries, but we can't solve the growing deficit and debt problems unless we are smart, courageous, and sensible in planning for future.
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To assume all the powers is not good for anybody. Power corrupts and absolute power corrupts absolutely. All those experiments have a bad ending.
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The most significant indicator that there is no disaster in Iraq is the fact that there is no exodus.
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In some ways, in the U.S. we don't know how to be. I think in a lot of ways America is about liberation and about change and progressive human relations. And because of that, I feel like that we're confused about who we're supposed to be and what it is that's supposed to satisfy us and make us feel fulfilled.
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I'm at the point age-wise where I've decided it's time to pass the baton to people who have several terms in front of them and have the energy and the excitement and the engagement that is necessary to carry it on.
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People will like to say that 'Eastern Promises' is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It's not a bunch of quick editing cuts.
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My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
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When I started performing in public, I was probably around 10 or 11.
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There are big issues, like the reform of the Security Council. These kinds of questions are something the President of the General Assembly must keep his eye on.
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I'm not sure that some governors just don't want to lay off people for the sake of laying off people and being able to say they did.
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There are many stages of grief.
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Before we can build the world we want to live in, we have to imagine it.
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I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.
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The fun for me in collaboration is, one, working with other people just makes you smarter; that's proven.
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That's where my influences lie, in the blues with people like Muddy Waters and Tina Turner. At first I didn't really like the idea of working with synthesizers but now I think they're fun, there are no restrictions. Not that I understand how they work.
