W. H. Auden Quotes
Unfortunately for the modern dramatist, during the past century and a half the public realm has been less and less of a realm where human deeds are done, and more and more of a realm of mere human behavior. The contemporary dramatist has lost his natural subject.
Quotes to Explore
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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There can be no vulnerability without risk; there can be no community without vulnerability; there can be no peace, and ultimately no life, without community.
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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I like Baudelaire's sentences quite a lot. I read and re-read him very often.
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I love 'Annie Hall'; I will always come back to that film again and again. Diane Keaton has been such an inspiration to me. She always brings humour, but complexity, and I love watching her on screen. She's got real charisma.
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Throughout U.S. history, national crises have been used to suspend constitutional protections and attack basic rights. After the Civil War, with the nation in crisis, the promise of 40 acres and a mule to freed slaves was promptly betrayed.
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An actor has to embody a role.
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Note to self: Never ride a motorcycle in stilettos and a miniskirt.
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My first name, with the rare two-r spelling, came from a sportswriter named Garry Schumacher. My parents didn't know him personally, but my mother liked the spelling.
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I hope that one day when I'll go back to Pakistan, I will build a university like Harvard.
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'Miss Rumphius' has been, perhaps, the closest to my heart. There are, of course, many dissimilarities between me and Alice Rumphius, but, as I worked, she gradually seemed to become my alter ego. Perhaps she had been that right from the start.
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Maurice was a silly man. Maurice liked being silly.
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A closed mind is a dying mind.
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What you wear onstage is a reflection of your artistry.
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To me, it's just like, if you have talent, and you're lucky enough to find where you fit, and you work with the right people, it's not exalted at all.
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I don't think my daughter wants to see me on the toilet. Lila has seen me nude.
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I can watch a movie and go, 'Oh, my god, that person is acting.' If you just listen to what the other person is saying, your response will always be genuine.
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Nothing ever turns out the way people expect it to.
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We don't merge kernel code just because user space was written by a retarded monkey on crack.
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I wanted to be a cartoonist, and then I wanted to go into film - not as an actor, but as a writer-director - and then I found myself during film school at the University of Southern California listening to the Clarence Thomas hearings in class on my Walkman, and I realized L.A. was not really for me.
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I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
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I had to learn compassion. Had to learn what it felt like to hate, and to forgive and to love and be loved. And to lose people close to me. Had to feel deep loneliness and sorrow. And then I could write.
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Disagreement does not necessarily have to be overcome. It may remain an important and constitutive feature of our relations to others and also be seen as something that is merely to be expected in the light of the best explanations we have of how such disagreement arises.
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Unfortunately for the modern dramatist, during the past century and a half the public realm has been less and less of a realm where human deeds are done, and more and more of a realm of mere human behavior. The contemporary dramatist has lost his natural subject.
