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Desire, even in its wildest tantrums, can neither persuade me it is love nor stop me from wishing it were.
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There are three cardinal rules - don't take somebody else's boyfriend unless you've been specifically invited to do so, don't take a drink without being asked, and keep a scrupulous accounting in financial matters.
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You need not see what someone is doing to know if it is his vocation, you have only to watch his eyes: a cook mixing a sauce, a surgeon making a primary incision, a clerk completing a bill of lading wear the same rapt expression, forgetting themselves in a function. How beautiful it is, that eye-on-the-obje ct look.
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In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.
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Encased in talent like a uniform, The rank of every poet is well known; They can amaze us like a thunderstorm, Or die so young, or live for years alone.
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What the poet says has never been said before, but, once he has said it, his readers recognize its validity for themselves.
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Who on earth invented the silly convention that it is boring or impolite to talk shop? Nothing is more interesting to listen to, especially if the shop is not one's own.
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The chances are that, in the course of his lifetime, the major poet will write more bad poems than the minor, simply because major poets write a lot.
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Like love we don't know where or why Like love we cant compel or fly Like Love we often weep Like Love we seldom keep
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To my generation no other English poet seemed so perfectly to express the sensibility of a male adolescent. If I do not now turn to him very often, I am eternally grateful to him for the joy he gave me in my youth.
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Literary confessors are contemptible, like beggars who exhibit their sores for money, but not so contemptible as the public that buys their books.
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One of the troubles of our times is that we are all, I think, precocious as personalities and backward as characters.
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Nobody knows what the cause is, though some pretend they do; it like some hidden assassin waiting to strike at you. Childless women get it, and men when they retire; it as if there had to be some outlet for their foiled creative fire.
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The most difficult problem in personal knowledge, whether of oneself or of others, is the problem of guessing when to think as a historian and when to think as an anthropologist.
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It's usually the stupid people that develop long illnesses. You need more than indolence and selfishness, you need endurance to make a good patient.
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There is a certain kind of person who is so dominated by the desire to be loved for himself alone that he has constantly to test those around him by tiresome behavior; what he says and does must be admired, not because it is intrinsically admirable, but because it is his remark, his act. Does not this explain a good deal of avant-garde art?
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Human beings are, necessarily, actors who...can be divided...into the sane who know they are acting and the mad who do not.
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An honest self-portrait is extremely rare because a man who has reached the degree of self-consciousness presupposed by the desire to paint his own portrait has almost always also developed an ego-consciousness which paints himself painting himself, and introduces artificial highlights and dramatic shadows.
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The relation of faith between subject and object is unique in every case. Hundreds may believe, but each has to believe by himself.
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Laziness acknowledges the relation of the present to the past but ignores its relation to the future; impatience acknowledge its relation to the future but ignores its relation to the past; neither the lazy nor the impatient man, that is, accepts the present instant in its full reality and so cannot love his neighbour completely.
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It's impossible to represent a saint [in Art]. It becomes boring. Perhaps because he is, like the Saturday Evening Post people, inthe position of having almost infinitely free will.
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Drama began as the act of a whole community. Ideally, there would be no speculators. In practice, every member of the audience should feel like an understudy.
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Slavery is so intolerable a condition that the slave can hardly escape deluding himself into thinking that he is choosing to obey his master's commands when, in fact, he is obliged to. Most slaves of habit suffer from this delusion and so do some writers, enslaved by an all too personal style.
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America has always been a country of amateurs where the professional, that is to say, the man who claims authority as a member of an élite which knows the law in some field or other, is an object of distrust and resentment.