W. H. Auden Quotes
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Rhymes, meters, stanza forms, etc., are like servants. If the master is fair enough to win their affection and firm enough to command their respect, the result is an orderly happy household. If he is too tyrannical, they give notice; if he lacks authority, they become slovenly, impertinent, drunk and dishonest.
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Desire, even in its wildest tantrums, can neither persuade me it is love nor stop me from wishing it were.
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And make us as Newton was, who in his garden watching The apple falling towards England, became aware Between himself and her of an eternal tie.
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The true men of action in our time, those who transform the world, are not the politicians and statesmen, but the scientists
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There are three cardinal rules - don't take somebody else's boyfriend unless you've been specifically invited to do so, don't take a drink without being asked, and keep a scrupulous accounting in financial matters.
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I used to try and concentrate the poem so much that there wasn't a word that wasn't essential. This leads to becoming boring and constipated.
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The primary function of poetry, as of all the arts, is to make us more aware of ourselves and the world around us. I do not know if such increased awareness makes us more moral or more efficient. I hope not. I think it makes us more human, and I am quite certain it makes us more difficult to deceive.
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The actors today really need the whip hand. They're so lazy. They haven't got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.
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I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
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My poetry doesn't change from place to place - it changes with the years. It's very important to be one's age. You get ideas you have to turn down - 'I'm sorry, no longer'; 'I'm sorry, not yet.
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It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.
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A writer is a maker, not a man of action: his private life is of no concern to anybody but himself, his family and his friends.
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Sexual fidelity is more important in a homosexual relationship than in any other. In other relationships there are a variety of ties. But here, fidelity is the only bond.
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All good art is in the nature of a letter written to amuse a sick friend. Too much art, particularly in our time, is only a letter written to oneself.
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It is nonsense to speak of 'higher' and 'lower' pleasures. To a hungry man it is, rightly, more important that he eat than that he philosophize.
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So long as we think of it objectively, time is Fate or Chance, the factor in our lives for which we are not responsible, and about which we can do nothing; but when we begin to think of it subjectively, we feel responsible for our time, and the notion of punctuality arises.
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The only way to spend New Year's Eve is either quietly with friends or in a brothel. Otherwise when the evening ends and people pair off, someone is bound to be left in tears.
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The relation of faith between subject and object is unique in every case. Hundreds may believe, but each has to believe by himself.
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You need not see what someone is doing to know if it is his vocation, you have only to watch his eyes: a cook mixing a sauce, a surgeon making a primary incision, a clerk completing a bill of lading wear the same rapt expression, forgetting themselves in a function. How beautiful it is, that eye-on-the-obje ct look.
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A person incapable of imaging another world than given to him by his senses would be subhuman, and a person who identifies his imaginary world with the world of sensory fact has become insane.
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In addition to English, at least one ancient language, probably Greek or Hebrew, and two modern languages would be required.
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Our sufferings and weaknesses, in so far as they are personal, are of no literary interest whatsoever. They are only interesting in so far as we can see them as typical of the human condition.
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A poet feels the impulse to create a work of art when the passive awe provoked by an event is transformed into a desire to express that awe in a rite of worship.
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If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor.