W. H. Auden Quotes
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Language is the mother, not the handmaiden, of thought; words will tell you things you never thought or felt before.
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The true men of action in our time, those who transform the world, are not the politicians and statesmen, but the scientists
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A writer is a maker, not a man of action: his private life is of no concern to anybody but himself, his family and his friends.
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The only way to spend New Year's Eve is either quietly with friends or in a brothel. Otherwise when the evening ends and people pair off, someone is bound to be left in tears.
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So long as we think of it objectively, time is Fate or Chance, the factor in our lives for which we are not responsible, and about which we can do nothing; but when we begin to think of it subjectively, we feel responsible for our time, and the notion of punctuality arises.
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Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.
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In a land which is fully settled, most men must accept their local environment or try to change it by political means; only the exceptionally gifted or adventurous can leave to seek his fortune elsewhere. In America, on the other hand, to move on and make a fresh start somewhere else is still the normal reaction to dissatisfaction and failure.
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A person incapable of imaging another world than given to him by his senses would be subhuman, and a person who identifies his imaginary world with the world of sensory fact has become insane.
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Our sufferings and weaknesses, in so far as they are personal, are of no literary interest whatsoever. They are only interesting in so far as we can see them as typical of the human condition.
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In a game, just losing is almost as satisfying as just winning... In life the loser's score is always zero.
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In addition to English, at least one ancient language, probably Greek or Hebrew, and two modern languages would be required.
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The condition of mankind is, and always has been, so miserable and depraved that, if anyone were to say to the poet: "For God's sake stop singing and do something useful like putting on the kettle or fetching bandages," what just reason could he give for refusing?
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You need not see what someone is doing to know if it is his vocation, you have only to watch his eyes: a cook mixing a sauce, a surgeon making a primary incision, a clerk completing a bill of lading wear the same rapt expression, forgetting themselves in a function. How beautiful it is, that eye-on-the-obje ct look.
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How happy the lot of the mathematician. He is judged solely by his peers, and the standard is so high that no colleague or rival can ever win a reputation he does not deserve.
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Desire, even in its wildest tantrums, can neither persuade me it is love nor stop me from wishing it were.
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A poet feels the impulse to create a work of art when the passive awe provoked by an event is transformed into a desire to express that awe in a rite of worship.
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Left to itself the masculine imagination has very little appreciation for the here and now; it prefers to dwell on what is absent, on what has been or may be. If men are more punctual than women, it is because they know that, without the external discipline of clock time, they would never get anything done.
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If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor.
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All good art is in the nature of a letter written to amuse a sick friend. Too much art, particularly in our time, is only a letter written to oneself.
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It is nonsense to speak of 'higher' and 'lower' pleasures. To a hungry man it is, rightly, more important that he eat than that he philosophize.
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And make us as Newton was, who in his garden watching The apple falling towards England, became aware Between himself and her of an eternal tie.
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It's a pity I am so impatient and careless, as any ordinary person could learn all the techniques of photography in a week. It is the democratic art, i.e. technical skill is practically eliminated - the more foolproof cameras become with focusing and exposure gadgets the better - and artistic quality depends only on choice of subject.
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There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, ''Did you get an erection?'' If the answer is ''Yes'' from a majority of the twelve, then the book is pornographic.
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In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.