Matt Mullenweg Quotes
Quotes to Explore
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I have to make little movies. I have to sit and film.
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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I don't look at myself as suffering.
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I have the necessary lack of tact.
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I didn't work for Jimmy Carter all those years to go to cocktail parties. I was there as a political adviser, a short-order cook, to work on topical matters.
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When you do music concerts at Taj Mahal and the Acropolis, you have to be careful about your performance being appropriate with the place that surrounds you. It has to be appropriate to the culture - it should fit the building behind you, the environment you are playing it in and the culture of that place.
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I like excess. And giant M&M's.
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Ain't no place like New Orleans. It's one of kind.
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When I had my first child, I started to try and make fresh food for him daily, and I became frustrated with the amount of work - and time - involved in making baby food at home.
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I think, in Spain, they are too used to reaching the limits of democracy and then stepping over them.
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I live for the text. It's my job.
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I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.'
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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It's not that we poor men are so powerful to be able to banish the devil. It's that God gives us the power.
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I've known Mark Hughes for half a lifetime. We joined Barcelona in the same summer of 1986, played together under Terry Venables and Luis Aragones, and have kept in touch ever since.
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I don't think films about elderly people have been made very much.
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The more the soul knows, the more she loves, and loving much, she tastes much.
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But then, even with sex, I'm more in the school of less is more in movies.
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The status quo is working.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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Cable is a great medium. It's something I respond to. I'm not doing sitcoms. People don't find me funny. That's just the way it is.
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The boy is special, Aunt Annie told his mother, and his mother in turn told him. But what kind of special? No one ever says.
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Love is great, but not as a password.
