Matt Mullenweg Quotes
Quotes to Explore
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I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
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I think good companies can navigate being public and doing the right things for their customers.
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The Tea Party emerged from a laudably grassroots base: libertarians, fervent Constitutionalists, and ordinary people alarmed at the suppression of liberties, whether by George W. Bush or Barack Obama.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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In our league, it comes right down to the end.
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It's good for kids to look up to sporting role models.
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I'm an old-fashioned girl, and I didn't believe in living with people, so I guess I married for the wrong reasons at times.
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My friends I grew up with were so supportive to me. And I'm not the only one who's done well.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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He who can believe himself well, will be well.
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Not one role that I've played has been written specifically for me.
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The history of Germany is not the history of a nation, but of a race. It has little unity, therefore; it is complicated, broken, and attached on all sides to the histories of other countries.
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The great proof of madness is the disproportion of one's designs to one's means.
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People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
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What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
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The best piece of advice that my mother gave me is to never have a plan B. She told me to stick to plan A because if you have a plan B you will inevitably fall back on it.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
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Belief is a powerful thing.
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The people who ask me for my autograph are the people who've put me here today, and you can't afford to forget that.
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There are two evil futurities and one good. A miserable future existence is evil; and annihilation, or nigban, is an evil - a fearful evil. A happy future existence is alone good.
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I'm pretty slapstick in my life but nobody sees that. You get typecast. I'm from New York and I have a sh*t-detector that's outspoken. I'm very streetwise and the producers detect that. So they get me on a movie and kill me. I go into their offices and I'm sure when I leave they say, 'You know, he'd be great to kill'. I've been killed every way you can imagine.
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