Frank Stella Quotes
Quotes to Explore
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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Through a painting we can see the whole world.
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I don't like getting out when I could be painting. And when I'm painting, I don't want anybody else around.
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I will keep painting until I die.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth.
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A painting in a museum hears more ridiculous opinions than anything else in the world.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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Life is painting a picture, not doing a sum.
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He greatly valued his possessions, chiefly because they were his, and derived genuine pleasure from contemplating a painting, a statuette, a rare lace curtain - no matter what - after he had bought it and placed it among his household gods.
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I have to take it as a given that I have got a certain ability to do something. I can be an artist, which is take something and transform it into another thing. I can just see something, and I can see my painting.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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My painting does not come from the easel.
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Sunlight is painting.
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Before anything else, I started painting bulls and matadors. That was my initiation to paint.
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Now, I love painting. I love looking. I love the fact that they don't move. They constantly change with the light. They are sort of patient.
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When you're a fledgling youth-type adult, it appears that all people in their 40s look old enough to be in a painting hanging on the wall of a stately home in England. It's not until you limp into your 70s that people in their 40s look too young to vote, and college cheerleaders closely resemble Yorkshire terriers.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps one day, I'll bring my daughter to see them, if she's interested.
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I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.
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Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.
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Only what can be seen there in the painting is there.. .What you see is what you see.
