James Wan Quotes
It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.
Quotes to Explore
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This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
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Sofia Coppola is wonderful, and I'd love to work with her.
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Being famous has changed a lot, because now there's so many outlets, between magazines, TV shows, and the Internet, for people to stalk and follow you. We created the monster.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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No man is a success in business unless he loves his work.
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Don't ever forget that a small group of thoughtful people can change the world, it's the only thing that ever has.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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Crazy old people are our entire source of polling information.
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The people who watch Fox are not going to watch CNN. You know, let's be honest.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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I was scared, because I knew that in the political arena, you have to satisfy so many different types of people at once, and I wasn't sure that I could speak for everybody and be politically correct.
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I got better as an actor, and still I'm getting better. That's only been possible because there's always been work.
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I like the lasso of truth. There is something so beautiful about the fact that people have to tell the truth when they have the lasso around them. And it's not too violent.
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You know, food is such - it's a hug for people.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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I think I have a big fear of things spiraling out of control. Out of control and dangerous and reckless and thoughtless scares me, because people get hurt.
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When I first stepped into literature twenty-five years ago, I wanted to work on behalf of the oppressed, the working masses, and it seemed to me, mistakenly, that I would not find them among the Jews.
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We've got to be moving together, working together, leading the country together, and ensuring that we achieve the objectives that our alliance has set out for itself.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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I did audition a lot. One's agent is keen to get you into film and TV because there's more money. I was always getting myself into commitments to theatre companies.
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I text my girlfriends. I look at Facebook. I check my e-mail. If I'm away from the news cycle more than a few hours, I feel out of touch.
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It's very difficult to get an audience to be terrified of what's going on. Think about it: You're in a room with so many other people, so for them to be terrified and to care about what's going on on-screen takes a lot of work.
