Jamie Dimon Quotes
Some things never change - there will be another crisis, and its impact will be felt by the financial markets.
Quotes to Explore
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God, that all-powerful Creator of nature and architect of the world, has impressed man with no character so proper to distinguish him from other animals, as by the faculty of speech.
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When your conscience says law is immoral, don't follow it.
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I have a song about being in love. I have a song about being supportive. There's inspiring ones, and there's some that show a little bit more fun and daring. It really is a range of who I am.
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Feminism is dead. The movement is absolutely dead. The women's movement tried to suppress dissident voices for way too long. There's no room for dissent.
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I try not to picture a reader when I'm writing. It's like trying to make a great table but not picturing anybody sitting at it.
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A lot of writers, especially crime writers, have an image that we think we're trying to keep up with. You've got to be seen as dark and slightly dangerous. But I'm not like that and I've realised that I don't need to put that on. People will buy the books whether they see a photo of you dressed in black or not.
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A lovely thing about Christmas is that it's compulsory, like a thunderstorm, and we all go through it together.
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I have my dad's shape. No booty.
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Her body calculated to a millimeter to suggest a bud yet guarantee a flower.
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Guitar Hero has been so successful that a lot of people were questioning how it was possible to innovate on the most successful franchise of its kind.
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I always have bananas with me for energy.
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When I got my first guitar, I played along with everything I heard that had guitar in it, like the Ramones, Nirvana and Sublime, as well as whatever hip-hop and R&B stuff was on the radio.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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We are a typical working class northern family, big into our football... no one in the family was into acting. But I remember seeing a panto when I was about six and thinking, 'Yeah... I wouldn't mind doing that.'
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The glorification of sisters, mothers as the selfless Indian women who will do 'agni pariksha' and the one who sees her own betterment only in the betterment of their husbands and fathers, that has to stop. It's very regressive.
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I love stories about two people who are doing illegal things, who we really enjoy watching despite the fact that we know they are doomed in some way.
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I absolutely love American folk art, can't get enough of it.
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When my father was assassinated, I decided that I would not compete with his memory, but the priority would be to achieve his dream.
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The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
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After college, I was burdened with student loans to repay, no financial cushion, so I wasn't in a position to bet everything on a creative-writing career - neither the writing-workshop academia life nor the freelance-writer version, trying to scrape by on short stories and house-painting gigs.
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In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at black American notions of masculinity: how we look at black men - how they're perceived in public and private spaces - and to really examine that, going from every possible angle.
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Some things never change - there will be another crisis, and its impact will be felt by the financial markets.
