Imogen Cunningham Quotes
When I need names they drop out of my head; when I don't need them they drop back.
Quotes to Explore
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If you try to create something that everybody can relate to, you're gonna make something that nobody can relate to.
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It's just amazing that there are so many prejudices even now.
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By March '87 we're down to seven thousand, by the end of the year we're down to twelve hundred. The whole bottom just fell out of the market. It was bad for me because I was in Australia at the time.
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Love is an obsession. It has that quality to it. But there are healthy obsessions, and mine is one of them.
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I am confident that, as elected officials, we can work together with religious, business and civic leaders, as well as the LGBT community, to develop policies that treat all people with dignity and respect.
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Today's designers don't care if fashion has no relationship to human anatomy.
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My background is that of a competitive athlete and a fighter, and I'm bringing something totally different to 'The Biggest Loser' that wasn't there before.
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I want young people to be hesitant to glorify war and to demand of their leaders justification for the sacrifices they ask of our citizens.
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Anytime rock and metal can get on mainstream TV at all, it's a good thing.
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Being someone with Latin roots, so many doors are constantly closed for you because people put you in a category, and the thing I've always wanted to avoid is categorisation.
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Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
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I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
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I'd done some acting stuff when I was younger, around age nine.
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When I come to London, I always like to see what's playing at the NFT.
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The gruesomeness of 'Death Line' was an absolute necessity for me to bring up the political content of the film. I wanted to show how devastating class distinction could be.
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Don't let it end like this. Tell them I said something.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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An optimist is a person who starts a new diet on Thanksgiving Day.
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End-of-the-world stories tend to ring true. I've always been drawn to them, but as I wrote my own, I found surprising pleasure in creating a world that is so radically changed, yet where there's so much meaning and value in every small and ordinary thing we have, and take for granted: hot showers, enough food, friends, routines.
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Our obsession with speed, with cramming more and more into every minute, means that we race through life instead of actually living it. Our health, diet and relationships suffer. We make mistakes at work. We struggle to relax, to enjoy the moment, even to get a decent night's sleep.
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There was a lot of great writing couples, but I try to do it all myself. And it was practically impossible, but I still managed to be ahead of my time.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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When I need names they drop out of my head; when I don't need them they drop back.
