Jamie Moyer Quotes
That was a heads-up play. I was behind him (backing up), and he saw the throw didn't have enough to get the runner. So he ran up where he could get the ball cleanly and make the throw. That made it two outs and no on, instead of (the potential for) an add-on run. The damage was over.
Quotes to Explore
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I'm not coming back to play.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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I'm a huge gamer. I play a lot of games, and I play one game until I'm really, really good at it.
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I throw as hard as I can when I think I have to throw as hard as I can.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I lost the ball in the moon.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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In 'Rangoon', I play an action star of the 1940s.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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The debt we owe to the play of imagination is incalculable.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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One of the advantages of appearing in such a play is that you begin to understand it properly, I feel Ophelia's tragedy was that she had been so used by everybody and felt that she bore a great burden of guilt.
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When he got the ball, he hit the hole. He either went left or right; he never let anyone hit him head-on. You can't coach that. You can't teach that.
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You've got to believe in yourself. ..it really is true, because that's one thing about the Beatles...Man, we believed in ourselves. We knew we were good.
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That was a heads-up play. I was behind him (backing up), and he saw the throw didn't have enough to get the runner. So he ran up where he could get the ball cleanly and make the throw. That made it two outs and no on, instead of (the potential for) an add-on run. The damage was over.
