Jamie Moyer Quotes
That was a heads-up play. I was behind him (backing up), and he saw the throw didn't have enough to get the runner. So he ran up where he could get the ball cleanly and make the throw. That made it two outs and no on, instead of (the potential for) an add-on run. The damage was over.
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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I'm not coming back to play.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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I'm a huge gamer. I play a lot of games, and I play one game until I'm really, really good at it.
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I throw as hard as I can when I think I have to throw as hard as I can.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I play tons of authority figures, whether it's the dad or the cop or the boss. I think it's a combination of how I look, who I am.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I lost the ball in the moon.
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I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
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In 'Rangoon', I play an action star of the 1940s.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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The debt we owe to the play of imagination is incalculable.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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I thought as the game went on, our ball movement and player movement got better.
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Nothing is more incorrect than the mistaken idea that a decades-old chronic disease can be healed through a very long fast, or a radically extended, strict fruit diet.
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I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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That was a heads-up play. I was behind him (backing up), and he saw the throw didn't have enough to get the runner. So he ran up where he could get the ball cleanly and make the throw. That made it two outs and no on, instead of (the potential for) an add-on run. The damage was over.
