Bret Easton Ellis Quotes
Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
Quotes to Explore
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Anyone who knows anything of history knows that great social changes are impossible without feminine upheaval. Social progress can be measured exactly by the social position of the fair sex, the ugly ones included.
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I think all religions can agree on certain definitions of God and concepts of God, like God being the god of love, the great 'I am' energy.
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That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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I have a really great show jacket from Lavalliere that's really well made, and I have a great pair of Gucci jodhpurs, which is hilarious.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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A complainer is like a Death Eater because there's a suction of negative energy. You can catch a great attitude from great people.
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Free love sounds great.
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Our movements reveal a great deal about who we are. A record of our locations over time can reveal whether we go to tent revivals or radical political meetings, abortion clinics or AIDS doctors.
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My great religion is a belief in the blood, the flesh, as being wiser than the intellect. We can go wrong in our minds. But what our blood feels and believes and says, is always true. The intellect is only a bit and a bridle.
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My great-grandfather fought with the Colonial Army in New England in the American Revolution.
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One day, I was at my grandmother's house, and I found diaries that she kept as a young girl. I opened one to a page that had flowers glued inside. In her childish handwriting, my grandmother wrote, 'Pap died today. I am very sad.' The fact that this was true and that I could see the withered flowers made a huge impression on me.
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It's a source of great sadness to me that my father died without having seen me do anything worthwhile. He was constantly having to make excuses for me.
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When I was in primary school, my best friend was a boy and we always goofed around, climbed trees, got holes in my trousers and muddied all my tops and things like that; a complete nightmare for the washing, but great fun.
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I describe myself as someone who was always putting on a show, even when I was a little girl. I wanted to be an actress but I liked organizing everybody and putting on plays. I was a producer.
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To pray is to have a conversation with Deity. This sacred and supernal communication with Heavenly Father is a divine and delicate process. This crucial communication should be conducted with great care and in compliance with sacred counsel.
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I have no great message to the world.
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I'm not going to get in to an argument with anyone about the relative merits of Judaism and Christianity, and what it means for a Jewish kid to be a Christian - I'm just not interested in that argument.
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I go to this gym full of stunt men. There aren't any TVs or treadmills there. This is a spit-and-sawdust kind of place. It has a lot of great training aids - trampolines and bags and every weapon ever invented to do harm to a human being. If you want to know how to throw a knife, it's great.
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There is a lot of suffering and injustice in the world, and there is also a great deal of hope. When you step forward and start speaking about what you see and what you want to change, you can begin living in that hope instead of despair.
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Few enterprises of great labor or hazard would be undertaken if we had not the power of magnifying the advantages we expect from them.
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Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.
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I have this long-running idea that the distinction between fiction and nonfiction is not just, 'Did it happen or didn't it happen?' It's one of form.
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Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
