Bret Stephens Quotes
I don't read 'Vanity Fair,' whose millionaire-fashionista-liberal shtick I find repellent.
Quotes to Explore
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When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
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Jobs mean freedom for workers to support their families.
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But I was losing so much bone density that I would have been in grave danger. And I mean grave danger. If I had let it go just a few more years I could have broken my hip or spine just picking up my granddaughter.
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Love shouldn't play by the rules. It's all about chemistry.
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Certainly, poverty and economic decline have a lot to do with the so-called rage of Islam. You've got all these young men in countries which are economically in bad shape. The idea that they might be able to make a good living and get married and have a family, a decent life, seems very remote to a lot of people in a lot of the world.
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We will stand by the Paris climate deal.
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In writing 'William Shakespeare's Star Wars,' I had the freedom to go beyond the original script and add asides, soliloquys and even new scenes. The main characters all get a soliloquy or two - or in Luke's case, several.
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We don't relate to her too much because you don't want the heroic character to not be heroic.
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The male corporate model is built on a man's greater willingness to be a slave of sorts - especially once he has to provide for children.
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I want to get better as an actor, to keep trying to work harder, trying to discover something different. In some ways, it's a pretty frightening experience. But normally, I do tend to walk against fear and hope that I'll be able to survive.
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What makes a river so restful to people is that it doesn't have any doubt - it is sure to get where it is going, and it doesn't want to go anywhere else.
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I'd better make hay while the sun shines.
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The only really good vegetable is Tabasco sauce. Put Tabasco sauce in everything. Tabasco sauce is to bachelor cooking what forgiveness is to sin.
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Most people, at a crisis, feel more loyalty to their nation than to their class.
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That's important for artists to remember: some people would like to be spokespeople, but others would like their art to speak.
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You have to understand the role the landlords are playing in shaping neighborhoods, how they potentially expand or reduce inequality, how their profits are a direct result of some tenant's poverty.
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When I'm writing songs, I write visually. When I'm writing the words down and I listen to the melody and the lyrics, I start seeing the video form. And if I can get through a song and from the beginning to the end have the whole video in my mind, I think that's a great song.
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My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
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Excessive partiality for one foreign nation and excessive dislike of another cause those whom they actuate to see danger only on one side, and serve to veil and even second the arts of influence on the other. Real patriots who may resist the intrigues of the favorite are liable to become suspected and odious, while its tools and dupes usurp the applause and confidence of the people, to surrender their interests.
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It's all good pressure. We're a very focused group, understanding what's in front of us.
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I want to be Miss Universe when I grow up.
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I was a shy little girl, nothing like what I am now.
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I don't read 'Vanity Fair,' whose millionaire-fashionista-liberal shtick I find repellent.
