Jamie Parker Quotes
Quotes to Explore
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I wanted to go to college and play football.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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When I get into the studio, I write from my heart.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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There is no ideal body. It's just taking what you have and working it.
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I want to be in the small percentage of women who don't settle for conventional roles.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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I think anyone taken out of their comfort zone and put somewhere else will change.
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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I believe in holiness and sacredness in other people. It doesn't mean that the clouds part and I see God. That's a juvenile way of thinking about it.
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The restaurant chefs in Spain are breaking ground, but in terms of the everyday cooking in Spain I still hear people coming back and saying they were disappointed. I think it's because they're expecting the chef stuff.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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The Apollo Theatre was a difficult audience, and if they didn't like you, they would let you know. Luckily, they liked me.
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'Salaryitis' is when you become so accustomed to that salary that you no longer have the gumption to pull out of the rut and strike out on your own. It destroys the nerve of ambitious, imaginative men, and bowing to it has meant sure defeat for more people than any other sickness, mental or physical.
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I've always said that the experience of meeting an artist that you are in awe of and that you hope to create with one day is usually disappointing because you put them up on a pedestal, and then you're like, 'Wow, that's not a nice person.'
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I think what I have to offer is more useful in theatre than on screen.
