Jamie Wyeth Quotes
We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
Quotes to Explore
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I have never once dribbled the whole field and scored a goal by myself.
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I want to live in a country that is not just a place but also an idea, and Jerusalem is the heart of the idea. There may be practical considerations, but a country cannot exist without an ethos, and Jerusalem is an ethos.
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I don't like possessions.
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Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
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The success of each of us benefits us all, and the success of us all benefits each of us individually.
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I have the necessary lack of tact.
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I think hip-hop is no more misogynistic than America is as a society. I just think hip-hop is a lot more brash, a lot more bold, a lot more loquacious. There are a lot more words that go into a hip-hop song than go into a regular song.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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Everybody who does anything for the public can be criticized. There's always someone who doesn't like it.
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The corporate right fires up the religious right against gay marriage and abortion and uses their votes to push their deregulation and tax cuts for the rich. It's an old trick. The House of Saud has the same arrangement with the Mullahs in Saudi Arabia.
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If longevity is the best index to measure a company, a basic requirement is the ability of the corporation to generate new and new leaders.
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If you want to stay fit, surround yourself with a couple of chicks who are fired up, so that the one day you're not, you can feed off their energy.
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Cambridge was a joy. Tediously. People reading books in a posh place. It was my fantasy. I loved it. I miss it still.
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The magic of creation has always fascinated me.
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I never leaked information to Woodward and Bernstein or anyone else!
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When you call upon a Thoroughbred, he gives you all the speed, strength of heart and sinew in him. When you call on a jackass, he kicks.
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After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.
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Here's the thing: 'The Hurt Locker' was an amazing, important film. But did I enjoy it? Of course not. It was very tough to watch and, while gripping, not exactly what you'd call a happy place.
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What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.
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I come from a singing family and as is said, 'the apple does not fall far from the tree.'
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Led by a new generation of edgy sportswriters like Lipsyte, we found new purpose in the great issues of the day - race, equal opportunity, drugs, and labor disputes. We became personality journalists, medical writers, and business reporters.
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I knew trucking was growing. It grew from the Second World War to the time that I bought the bridge. There were interstate highways being built. I thought there was opportunity.
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I decided to get Ph.D. in experimental physics because experimental physicists have their own room in the Institute where they can hang their coat, whereas theoretical physicists have to hang their coat at the entrance.
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We lived in my father's studio, so there were the brushes and the pencils and the paint. So it would - it was very natural for me to want to paint, I think, and it was never a question.
