Jamie Wyeth Quotes
Quotes to Explore
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Just be patient. Let the game come to you. Don't rush. Be quick, but don't hurry.
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In Iran I think nobody loses their job because of making a statement that reflects their opinion. From this point of view, conditions in Iran are far better than in many other places in the world.
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Never trust anything that can think for itself if you can't see where it keeps its brain.
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I'm lucky to be getting a lot of good work in Tollywood. And I won't say I'm choosy, but of course, you have to select the best, and I'm trying to grab as many good films as I can. There was a time when I had to let go of some films which I regret now.
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The success of 'The Shadow of the Wind' made me very happy, but it did not change my perspective or the way I was.
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Maybe I was unpopular a bit because I was a teacher's pet. But even the teachers complained about me. They would say to my parents, 'For every one question any pupil asks, Walter asks 10.'
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
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You know, one of the things I like about this world, or at least I like about the way we're presenting this world, is these issues are terribly complicated - not nearly as black and white as we're led to believe.
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The non-utility of my kitchen could be transformed into its utility for art. To do a show there would mix art and life, naturally.
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Managers are the most creative people in the world.
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The Highlander was a documentary, and events happened in real time.
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A sense of humor keen enough to show a man his own absurdities will keep him from the commission of all sins, or nearly all, save those worth committing.
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People get to choose who they follow, so they follow me for me. It's super humbling and awesome.
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Now I have the bravery to do fine things.
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There's not a formula that I'm following; it's just how I feel at the time. For instance, I did a very experimental film called 'Hardcore Henry,' and that was simply because I thought the filmmaker was very interesting and a risk taker. A film like that had never been made before, so I chose to do that at the time.
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Gossip is easy, politics is hard.
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If you need to do a movie where you have an army of 10,000 soldiers, that's a very difficult thing to shoot for real. It's very expensive, but as computer graphics techniques make that cheaper, it'll be more possible to make pictures on an epic scale, which we haven't really seen since the '50s and '60s.
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To make money, I did portraits . The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
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I have seen Colonial churches since I was very small, Colonial painting and polychrome sculpture. And that was all I saw. There was not a single modern painting in any museum, not a Picasso, not a Braque, not a Chagall. The museums had Colombian painters from the eighteenth century and, of course, I saw Pre-Columbian art. That was my exposure.
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When I am in my painting, I'm not aware of what I'm doing.
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Something sacred, that's it. We ought to be able to say that such and such a painting is as it is, with its capacity for power, because it is "touched by God."
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Painting is such an individual profession. I'm not performing. There's no audience.
