Brett Davern Quotes
Quotes to Explore
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I'm a choreographer and I love watching 'The Bachelorette.'
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As a person, I'm polite - I want to please.
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I love the quality of TIDAL. I appreciate what they're trying to do and what they're trying to accomplish.
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The best way to change it is to do it. Right? And then after a while you become it, and it's easy.
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I am a reluctant celebrity, in some ways.
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There is only one step from the sublime to the ridiculous.
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When I first wrote 'Papa Hemingway,' there were too many people still alive, and the lawyers for Random House didn't want to OK it. But now all that's been filtered away by the passage of all these people. And having the fortune of surviving, I now feel that I am the custodian of what Ernest wanted the world to know about him and these women.
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We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
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The only history is a mere question of one's struggle inside oneself. But that is the joy of it. One need neither discover Americas nor conquer nations, and yet one has as great a work as Columbus or Alexander, to do.
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We have to tokenize in order to normalize.
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Past success is no guarantee of future success, so I have learned to be an entrepreneur. I began to produce and direct my own projects.
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I think it's a bad business decision to exclude anybody from your restaurant - but, at the same time, I do believe in private ownership.
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You never want to see a guy struggle. And we've all struggled. It's part of the game.
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I guess I'm a good manager now. Moreover, I'm loving the concept of donning the producer's hat. It's all very exciting as well as a great learning experience. You're a part of a film right from its conception to its execution, and that's an amazing feeling.
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I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.
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No man for any considerable period can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.
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Probably the most formative experience was reading the 'Foundation' trilogy when I was about twelve years old. That wasn't the first science fiction I had ever read, but it's something that stands out in my memory as having had a big impact on me.
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Oh, yes; you Virginians shed barrels of perspiration while standing off at a distance and superintending the work your slaves do for you. It is different with us. Here it is every fellow for himself, or he doesn't get there.
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I was the true future. I understood Communism better than they did.
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Every artistic form has its golden age, and unfortunately I think the golden age for whatever I do probably ended about 1990.
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I think that there is a real beauty to the live aspect of the theater, and the working with a director for a month on a script in the isolation of a room and really deeply delving into who are these people, what is the story we're telling, how do we want to tell it?
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The bottom line is the Kiss Army is growing by leaps and bounds.
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My lips got lost on the way to the kiss - that's how drunk I was.
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The best part about a first kiss is right before the first kiss.
