Jan Karon Quotes
Quotes to Explore
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In theory there is no difference between theory and practice. In practice there is.
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With the release of her fourth album, 'Red,' in 2012 and a handful of highly publicized romances, Taylor was criticized by the press and other entertainers for such sinful acts as dating people and writing songs about it, gaining a reputation as boy-crazy and love-ridden.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
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My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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The ego being shattered is not what frightens me - that can be useful for writing - but the ego being inflated is sort of like it dying of gout.
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Love one another and help others to rise to the higher levels, simply by pouring out love. Love is infectious and the greatest healing energy.
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I am a great procrastinator. When the writing is going really well, the laundry piles up.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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There are three rules for writing a novel. Unfortunately, no one knows what they are.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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When I'm writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids haven't left me.
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I have some great stories and I will get around to writing a book.
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Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
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But everyone has a touch of madness, and those who can't admit it are usually farther gone than the rest of us.
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Get up and dance, get up and smile, get up and drink to the days that are gone in the shortest while.
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I really wanted to give people that tool, that thing, that answer, 'Well, what are you going to do after Katrina? How does New Orleans come back?' And I'm thinking to myself, New Orleans is back. We're the definition of 'back.' We're the definition of 'rebirth,' of 'renaissance.'
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Writing is a way of processing our lives. And it can be a way of healing.
