Jan Vogler Quotes
My favorite exhibition of all time was at The Met years ago, called 'Glitter and Doom: German Portraits from the 1920s.'
Quotes to Explore
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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The first decent building I did with my own practice was a chapel in Taiwan.
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A perfectly straight shot with a big club is a fluke.
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What is important, then, is not that the critic should possess a correct abstract definition of beauty for the intellect, but a certain kind of temperament, the power of being deeply moved by the presence of beautiful objects.
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It would be nice to be on the charts again, nice to be recognised.
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I was handed a chocolate bar and an M-1 rifle and told to go kill Hitler.
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I eat a lot of chocolate.
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Growing up in Kentucky, I used to hang out with four running buddies as a kid - 6, 10, and 11 years old. Two of them would later come out, and so 50 percent of my friends as a kid were gay.
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Selectors can't please everyone, but I am OK if they are working for the benefit of Indian cricket. It's an administrative decision to appoint a selection committee, and I would like to let them do their job.
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The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
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Actively deciding to give to causes that move you deeply is far more fulfilling than the momentary gratification derived from signing a check and mailing it to a nonprofit about which you know little more than what's on the brochure they sent you.
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I like analyzing and managing large-scale transaction-processing platforms, recordkeeping administration, and brokerage trading services.
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I remember Tom Stoppard saying to me when I came out, 'I feel so sorry for you, because you'll never have children.' These days I would say, 'Well, why not, Tom?'
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I love being in Malibu. It's so cool there, and the water is just, it's nice and, and I love the beach. And I found a sand dollar there.
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It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
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I have been using polka dots since I was a very young child. Only after that, it seems, have they been used throughout the rest of the art world.
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My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
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Some people are trapped by the belief that love comes in finite quantities, and that our kind of love exhausts the supply upon which they need to draw. I do not accept competitive models of love, only additive ones.
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I'm not an atheist, but I'm not a Christian, either.
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You get to a point where you really can't manage more artists, because representing artists takes a lot of time.
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I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
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I'm always right. This time I'm just even more right than usual.
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My favorite exhibition of all time was at The Met years ago, called 'Glitter and Doom: German Portraits from the 1920s.'
