D'Angelo (Michael Eugene Archer) Quotes
I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
Quotes to Explore
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As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
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I always feel like rejection is my petrol. That's what keeps me going.
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The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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When people first meet me, they're always like, 'What are you?' as far as ethnicity. And I've been pegged as 'ethnically ambiguous.'
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Every story I create, creates me. I write to create myself.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I simply can't wear an outfit if I don't feel that is right for me.
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I never really wanted kids. I didn't not want them, but motherhood just wasn't something that pulled at me.
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I think people look at me and don't expect much. Even though, I expect a whole lot.
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As far as actors go, you're not going to find many ballplayers better than me.
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Lady Gaga is my name. If you know me, and you call me Stefani, you don't really know me at all.
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Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
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Tel Aviv appeals to me.
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I hate to sound this way but, 'Why me? Why me with dementia?'
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Kelly Clarkson definitely reminds me of Motown. She's pop, but she's also very, very soulful.
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There's not a blueprint for me to follow.
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I don't have a director. The audience directs me.
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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I've always cared about fashion and what I look like. I don't like to spend a lot of money on designer clothes, but I do like to look good.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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My mother hoped I would meet a nice doctor or barrister or accountant who would marry me and take me to live in what is now called Fashionable Dublin Four. But she felt that this was a vain hope. I was a bit loud to make a nice professional wife, and anyway, I was too keen on spending my holidays in far flung places to meet any of these people.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
