Jane Campion Quotes
I had this spooky psychological thing about 'The Piano' before it began, which was how everybody was going to go nuts on the set. Because a film tends to set up the way people are going to behave.
Quotes to Explore
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Bill Mitchell said he really liked it. But when he asked the other four their opinions, we all took one look at ourselves in our raggedy long winter coats and cracked up. We knew we weren't likely to tempt anyone or anything, but what the hell, it was as good a name as any.
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Some people really like to get into Twitter, but it's not my thing.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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Award shows, like the Grammys, were tough on us early in hip-hop, not even televising our categories or splitting them up on best male or female or any of that. We had to earn them.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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You don't want to love - your eternal and abnormal craving is to be loved. You aren't positive, you're negative. You absorb, absorb, as if you must fill yourself up with love, because you've got a shortage somewhere.
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Homer's work hits again and again on the topos of the inexpressible. People will always do that.
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For me, genres are a way for people to easily categorize music. But it doesn't have to define you. It doesn't have to limit you.
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I'm not going to comment about potential jobs in the future because that's a rabbit hole to go down and get caught up in, but all I'll say is I'll go where the good scripts are.
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At least international media can see how I am trying to change the typical orthodox mindset of people who don't want to come out of their shells of false beliefs and old practices.
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I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
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I know what people laugh at. I know their vocabulary.
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I hate wasting people's time.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
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Marriage is socialism among two people.
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Like every artist that comes out, you want to make a mark; you want to be a household name and you want to be someone that people are going to look back in ten years/fifteen years' time and go, 'I love this guy Olly Murs. He was brilliant back in the day; he was someone I really, really liked.'
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If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.
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I can't sleep in the evenings. Most of the pictures people see of me are me going to work events: a Fendi dinner one night, a Prada dinner the next, and working all day.
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There's no question that how Johannesburg operates is what made me interested in the idea of wealth discrepancy. 'Elysium' could be a metaphor for just Jo'burg, but it's also a metaphor for the Third World and the First World. And in science fiction, separation of wealth is a really interesting idea to mess with.
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And I never ask what I'm doing the next day. I don't want to know what I'm doing tomorrow. It's much too overwhelming. So I just go day by day, without knowing.
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No man should ever lose sleep over public affairs.
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Nevertheless there are certain peaks, canons, and clear meadow spaces which are above all compassing of words, and have a certain fame as of the nobly great to whom we give no familiar names.
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I had this spooky psychological thing about 'The Piano' before it began, which was how everybody was going to go nuts on the set. Because a film tends to set up the way people are going to behave.
