Jane Clayson Quotes
Quotes to Explore
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Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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When the Lebanese Civil War started in 1975, I was 15. I was shipped to boarding school in England and, after that, to UCLA.
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This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conversation, I think. It is a true connecting up.
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I had a high school sweetheart that was my first. We were together all through high school. I had just broken up with him because I didn't think I was good enough. He wanted to be an anesthesiologist. I wanted to be an entertainer. His life was more planned out, and mine wasn't.
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I run a charity. If my name pops up in your call ID, chances are I'm about to ask you for something - money, free ad space, your first born. So it is probably no surprise that people often don't take my calls.
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On one hand, we know that everything happens for a reason, and there are no mistakes or coincidences. On the other hand, we learn that we can never give up, knowing that with the right tools and energy, we can reverse any decree or karma. So, which is it? Let the Light decide, or never give up? The answer is: both.
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I got sent to a health camp when I was about 6 years old, and we all had to wear the same starchy blue uniform. The lady who took care of me after school knit me a burgundy sweater. It was the only thing that gave me any individuality.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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I've put up with more humiliation than I care to remember.
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If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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I think every high school student who was alert during the early '60s got very embittered by the slow progress and the violence surrounding the Civil Rights Movement.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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It's not the last one. Five's out, six is coming out in November, that's a single chapter, and then seven is the big horrifying one. And I think a couple after that to wrap the thing up.
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Great songs come out of people's bedrooms; they come out of studios; there's no formula for it.
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I just genuinely feel that that's what you do when you're an artist: You stick up for the people around you.
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In the '50s, listening to Elvis and others on the radio in Bombay - it didn't feel alien. Noises made by a truck driver from Tupelo, Mississippi, seemed relevant to a middle-class kid growing up on the other side of the world. That has always fascinated me.
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Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.
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Welcome to 'Who's Line Is It Anyway' the show where everything's made up and the points don't matter. That's right the points are just like Canada.
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I Skype my mum every day. Everyone in my family does creative things, so it's nice to have that support.
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There's a whole lot of songs that men just can't do. The words are from another time and represent too much of an emotional commitment, whereas women can say that because of who they are.
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I drive the car pool - I show up with no makeup and drive the kids to school.
