Jane Hamilton Quotes
'Never change' is the thing that probably high school students have written in each other's yearbooks for time immemorial. They think that command is possible!
Quotes to Explore
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I've always - honestly - never thought of myself as an independent director.
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Obviously, as you get a little older, you are not going to be quite as quick or quite as strong, and so I might be regarded by some as the underdog... There is actually a statue of Big Ben and I in Perth, Ont., and I was on a Canadian stamp once, and normally you have to be dead to do either of those things, and, well, here I am, still going.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end. I sang 'I Say a Little Prayer.' It's a tough song to sing but they gave me the confidence to go for it and belt it out.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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When confronting most crises, whether historic or contemporary, aid agencies generally muddle along on a case-by-case basis. They weigh insufficient information, extrapolate somewhat blindly about long-term pros and cons, and reluctantly arrive at decisions meant to do the most good and the least harm.
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A damn independent boy; independent as a hog on ice.
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And apparently things like a Vindaloo curry are out for the rest of my life, or at least a long time.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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In a way, it's good not to be recognised as much off screen.
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I think Mickey Gall's going to be really good.
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There's an idea of the Plains as the middle of nowhere, something to be contemptuous of. But it's really a heroic place.
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Very often there's this misapprehension about actors being people that need to display themselves, to reveal themselves in public.
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It's my father's legacy. My father's view was that the public is the employer of these government employees and has the right to know what they're up to.
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The idea that you surrender your identity when you relinquish national powers is unhelpful. No, indeed, precisely the opposite is the case: if done in an intelligent way, you attain the sovereignty to better solve national problems in cooperation with others.
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To assume all the powers is not good for anybody. Power corrupts and absolute power corrupts absolutely. All those experiments have a bad ending.
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In India, because of the huge investments materialising in industry and infrastructure projects, the demand for steel has grown much faster than anticipated.
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It is much easier to show compassion to animals. They are never wicked.
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Digital world is changing its home, and I am in search of an evolution that exists beyond the digital world.
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I really dislike the fact that Asian males are constantly emasculated, whether it's American TV or films. You see it all the time, and it's so weird that they don't see sexuality in Asian men.
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'Never change' is the thing that probably high school students have written in each other's yearbooks for time immemorial. They think that command is possible!
