Janet Evanovich Quotes
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.
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When I write a movie, I write it for me.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
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Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
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I don't really read 'business books,' and I didn't think 'The Paradox of Choice' was a business book. I'm very surprised and gratified that the business world thought it was one.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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When a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.
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I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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I don't read horror, ever. When I was 15, I made the mistake of reading part of 'The Exorcist.' It was the first and last horror book I've ever opened.
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I am an author, and like many in my profession, I am also a traveling salesman, going all over in an attempt to persuade people to spend twenty-five dollars on a hardcover book by me.
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It's easier to release an ebook than a print book.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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As a filmmaker, I'm very collaborative. I don't pretend to know everything that is needed to make a movie. What I like to do is get together with a group of people, starting with developing the story and bounce around ideas.
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I have a really difficult time watching myself on film. I literally cower in my seat and cover my face.
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You lose your anonymity just like a helium balloon with a string. Therefore people are going to have their own opinion and they're going to write in whatever clever manner they desire.
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I'm not a go-in-for-the-kill kind of interviewer. It's a great thing to me, that kind of interviewer, but I'm not it. It doesn't play to my strengths at all. I like to interview people who are interested in telling their story and tell it as truthfully as they can.
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I always felt once it goes into movie land, the book belongs to someone else.
