Janet Reno Quotes
I made a promise to myself when I graduated from law school that I would never do anything that I didn't enjoy doing, and almost every day of the year since that June of 1963, I have awakened glad that I was going to work, glad that I was going to court, glad that I was going to grapple with a problem.
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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Certainly by the time I was in seventh grade, I knew I had to have a long education if I wanted to become an astronomer, but I figured I'd try it, and if I didn't get far enough, I could always end up teaching in high school or math or physics.
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In the United States we have the great Harvard Business School, but America is the country with the greatest debt in the world.
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I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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If we promise as public officials, we must deliver. If we as public officials propose, we must produce.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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If I get asked to talk to a group of CEOs or a group of high school students, I pick high school students.
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I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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If you're passionate about your work, it makes the people around you want to be involved too.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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I was on a well-beaten path of actors - what we all call 'the Law and Order route'. I spent two years of auditioning for everything... and then 'The Wire' came up.
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Stanford's law school application wasn't the standard combination of college transcript, LSAT score, and essays. It required a personal sign-off from the dean of your college: You had to submit a form, completed by the dean, attesting that you weren't a loser.
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In high school I had a boyfriend who was super into rap, so I was into Too $hort and Wu-Tang for a little while. And my best friend's older brother would sometimes drive us home in this pimped-out truck, and he'd play all his dirty rap music. We thought we were really cool.
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I believe in collaboration and cooperation.
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And every human being is precious.
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Constant development is the law of life, and a man who always tries to maintain his dogmas in order to appear consistent drives himself into a false position.
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I made a promise to myself when I graduated from law school that I would never do anything that I didn't enjoy doing, and almost every day of the year since that June of 1963, I have awakened glad that I was going to work, glad that I was going to court, glad that I was going to grapple with a problem.
