Pierre Boulez Quotes
I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time.

Quotes to Explore
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I'm 20 years old, and I still love love. I hope I'm sweet. Just your everyday girl.
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You must always do what you feel is right.
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You don't want to put all your lead on the target. You want to leave some arrows in the quiver.
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I first started writing fiction in college because I was attracted to beautiful sentences. I loved to read them. I wanted to write them.
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In its worse forms, conservatism is a matter of 'I hate strangers and anything that's different.'
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I went to high school in Los Angeles, and I grew up riding horses, so that was kind of my life. I always wanted to act.
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Being a role model is about being true to myself.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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Movies are a complicated collision of literature, theatre, music and all the visual arts.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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I'm nearsighted in my right eye, have glaucoma in my left, and the nerves in my hands are on Medicare. Basically, I'm on the wrong end of a short sale.
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My motto is: feel the fear and do it anyway.
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I'm very tomboy, and I'm inspired by hip hop artists.
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To be half-naked for a Greek mythology movie, it's a piece of art. You know, there's nothing vulgar in there.
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I think things can surprise you. I mean, I loved Instagram from the minute it started, but I think it surprised a lot of people how quickly it got huge.
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Especially in technology, we need revolutionary change, not incremental change.
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I didn't want to do a zoo show. I didn't want to do a study of someone with mental illness. I just wanted to show someone who was trying to live their life.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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It used to be that you knew your neighbors and maybe your coworkers - the people in your physical vicinity.
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The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
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Batty as it sounds, subject and style may choose artists, through some unfathomable cosmic means. How else to explain that even artists who enjoy what they do can be perplexed or even horrified that they're doing it?
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Always be a beginner at something, and always be in love with what you are beginning.
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I always try to put a seed of hope into people's hearts. I'm not there to teach them doctrine necessarily, but to let them know that God is a good God, and has a plan for their lives. Hopefully, that will restore their faith, or draw them into faith.
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I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time.