Pepe Eliaschev Quotes
'Tiempos del Mundo' is insignificant as far as the newspaper market is concerned here in Buenos Aires.

Quotes to Explore
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When I initially moved to the city, I had to stay in hotels for almost two years. I was fed up of that life, and it was then that I decided that I wanted a home in the city, so I shifted base permanently.
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Working with the cast of 'Glee' was inspiring. To be around a group of kids who work so hard and love what they do is so refreshing.
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The talent curve in game-making is going straight up to Heaven.
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I am a big believer that eventually everything comes back to you. You get back what you give out.
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You may be pulling from different influences because of different things that are going on in your life, different people that are around you and more experiences to pull from.
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I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.'
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My knee has always given me problems. But it got to the point where I actually had to start giving up things. And I hate that.
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To me the definition of true masculinity – and femininity, too – is being able to lay in your own skin comfortably.
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I grew up around old stuff that was not necessarily valuable, but certainly unusual.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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Keep in mind that no matter how perfectly you get your life in order, you will never be rid of all your problems. Problems are a way of life, always have been, always will be. But how you elect to view those problems is all up to you.
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I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.
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The presence of any humility in my life is purely and completely an evidence of God's grace. From my perspective, I am not a humble man. I am a proud man pursuing humility by the grace of God.
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When I wear the hat of management, it is important that our management behaves and conducts as management accountable to the board.
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The British tend to shy away from the spotlight. We don't like being singled out in any way, and I think that is something which is important for me to learn to do.
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I am a feminist - I just think the label reflects my beliefs - but, you know, we say 'Rookie' is a website for teenage girls, not a feminist website for teenage girls. That's not because I'm not proud to call myself a feminist, but when you're calling attention to a project, you can very easily be pigeonholed by choosing certain identifiers.
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Some of the most fascinating scenes in 'Unforgiven,' for me, is that scene with Gene Hackman where he's talking about the Duke of Death that Richard Harris played, and he's basically demolishing this myth of this man very unwesternly – not what you expect in a western.
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What I do is I always try to educate myself about my neighbors, about the people I meet.
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I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'
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Whenever I dream about flying, it's the best feeling in the world.
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As an actor, you want to do the best job possible, and you want the best scripts possible because it makes life more interesting.
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The blind spot for the in the Southern Progressive Movement - as for that matter in the national [progressive] movement - was the Negro, for the whole movement in the South coincided paradoxically with the crest of the wave of racism. Still more important to the association of the two movements was the fact that their leaders were often identical. In fact, the typical Progressive reformer rode to power in the South on a disenfranchising or white-supremacy movement.
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Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
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'Tiempos del Mundo' is insignificant as far as the newspaper market is concerned here in Buenos Aires.