Brian Eno Quotes
If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
Quotes to Explore
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I guess, for better or for worse, I am an American composer, and I've had a wonderful life being exactly that.
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There's something about live players that you cannot get with machines: With live musicians, you can strike a groove, you can feed off each other... And, even though somebody might make a slight mistake, it's all real!
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The pressure suit helps if something goes wrong during launch or re-entry - astronauts have a way to parachute off the shuttle. The suits protect you from loss of pressure in case of emergency.
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As wild as I was, when the cops show up, and suddenly you're being handcuffed, it's so deeply shocking and terrifying, the loss of freedom.
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Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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For musicians, Musikfest is the most cool event.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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I've always considered music stores to be the graveyards of musicians.
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Someone told me just recently that poets are eulogists. It's their job, to eulogize. I didn't know that, but it makes sense. Because in almost every poem of mine there is a loss.
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What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.
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Artists and musicians of the Sixties were definitely into clothes.
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I make me. At 18, I decided I wasn't going to have an unconstructed self ever. I was going to be the composer, the designer, the architect of me. It's been really fun.
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American musicians are very giving - they have the highest standard in the world - but they are also very demanding in their conditions.
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Being a musician, people ask you a lot about what musicians inspire you, and there's plenty of musicians that I love and respect, but I think that I'm the most inspired by cinema.
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There are so few stories being produced that are human. I suffer with the loss of that. I feel kind of out of place, even though I've continued to work.
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There is no better than adversity. Every defeat, every heartbreak, every loss, contains its own seed, its own lesson on how to improve your performance the next time.
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In life, you have people that love to party. That's me. People that love God. That's me. People that love sex. That's me. People that love people. That's me. And people that make mistakes. That's me also.
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We are lagging far behind comparable countries in overcoming the disadvantages Indigenous people face.
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The evil done by men of goodwill is the worst of all ... We have done terrible things, for the best of reasons, and that makes it worse.
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In my whole career, in fact, I can remember only two first nights when a show was at its peak on the first night. And I just wish we could devise a system where critics came not on a single evening but were given a choice of performances to attend.
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Success comes to those who become success conscious. Failure comes to those who indifferently allow themselves to become failure conscious.
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If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
