Brian Eno Quotes
If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
Quotes to Explore
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I guess, for better or for worse, I am an American composer, and I've had a wonderful life being exactly that.
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There's something about live players that you cannot get with machines: With live musicians, you can strike a groove, you can feed off each other... And, even though somebody might make a slight mistake, it's all real!
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The pressure suit helps if something goes wrong during launch or re-entry - astronauts have a way to parachute off the shuttle. The suits protect you from loss of pressure in case of emergency.
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As wild as I was, when the cops show up, and suddenly you're being handcuffed, it's so deeply shocking and terrifying, the loss of freedom.
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Hanson has rapid female fans, which I'm completely proud of, but a lot of fans are a contingent that have grown up with us really - our peers. There's younger fans. More and more guys are Hanson fans, musicians or kind of guys who were into a Beatles record.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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For musicians, Musikfest is the most cool event.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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I've always considered music stores to be the graveyards of musicians.
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Someone told me just recently that poets are eulogists. It's their job, to eulogize. I didn't know that, but it makes sense. Because in almost every poem of mine there is a loss.
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What you learn from working with other performers and musicians is invaluable, really, and can only help you grow. I mean, if you spend your whole life focusing on yourself, you're not really learning much.
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City government can and must help San Franciscans prepare for emergencies in order to avoid tragedy where possible and minimize loss of life and property when emergencies occur.
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Artists and musicians of the Sixties were definitely into clothes.
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I make me. At 18, I decided I wasn't going to have an unconstructed self ever. I was going to be the composer, the designer, the architect of me. It's been really fun.
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American musicians are very giving - they have the highest standard in the world - but they are also very demanding in their conditions.
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Being a musician, people ask you a lot about what musicians inspire you, and there's plenty of musicians that I love and respect, but I think that I'm the most inspired by cinema.
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There are so few stories being produced that are human. I suffer with the loss of that. I feel kind of out of place, even though I've continued to work.
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I wanted to be a composer before anything else. And my sister was listening to Led Zeppelin in the other room! When I heard that, it was a game-changer.
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John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.
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Maybe a nation that consumes as much booze and dope as we do and has our kind of divorce statistics should pipe down about "character issues."
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As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to the body and to psychology. It makes it more complicated, and it makes it more challenging.
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If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
