Brian Eno Quotes
Every band I've worked with also wants to be countercultural in the sense that they want to feel that they've gone somewhere that nobody else has been.
Quotes to Explore
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Tone is somewhat totalising in that, once I locate it, it tells me what kind of syntax to use, what word choices to make, how much white space to leave on the page, what sentence length, what the rhythmic patterning will be. If I can't find the tone, I sometimes try narrating through the point of view of someone else.
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The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.
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We demand that people should be true to the pictures we have of them, no matter how repulsive those pictures may be: we prefer the true portrait in all its homogeneity, to one with a detail added which refuses to fit in.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I was lucky to be with Johnny... he taught me a lot about fame.
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I like going to rifle and pistol clubs and joining them in target shooting. I also share the same respect for individual initiative and love of family.
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It all started when I was 4. I was watching a lot of 'The Little Mermaid,' and I loved that movie. I was going around the house singing - I wanted to be on Disney and everything; I wanted to be a princess.
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Iris Murdoch did influence my early novels very much, and influence is never entirely good.
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I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
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I've always wanted to stay involved with young people. I never bought into the idea that entertainers owe nothing to their audience except a good performance.
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I haven't gone to college yet and I intend to in a few years.
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In most daily journalism, you only fact-check something if it seems a little fishy.
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I was born with an evil face.
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I'm interested in complexity, in the mathematical sense, as well as the idiomatic sense. The idea of emergence - that it's possible for complex patterns to arise out of many simple interactions - is fascinating.
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In high school, I played in a Rush cover band.
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Believing a person deserves a defence is not the same as doing anything in your power to get him off scot-free.
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My other Main Man is Muhamed Ali, for the obvious reasons.
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Without courage, wisdom bears no fruit.
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Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
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We appreciate all the calls and everything they've done for us.
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The band is our whole lives and we are completely dedicated, but if you get too serious you'll have a lot of problems and if you don't enjoy what you are doing you shouldn't be doing it.
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I never desperately wanted to be a jazz drummer. If anything, I was motivated a lot by fear. Fear of the conductor, fear of the future.
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I'm not a racist.
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Every band I've worked with also wants to be countercultural in the sense that they want to feel that they've gone somewhere that nobody else has been.
