Brian Eno Quotes
In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Every member in Congress has a seat, and they deserve a seat at the table.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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Most of Google's home technologies have failed to catch on in a major way.
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Do we really want Washington administrators coming between us and our doctors?
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A lot of West Virginia is untouched. It doesn't have as many strip malls, it has these old towns that feel like it used to be how it looked. Charleston has this river that runs through it, and it's really beautiful.
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The most interesting thing about a postage stamp is the persistence with which it sticks to its job.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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You're in the lap of the gods. If people go, they go, and if they don't.
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A true heiress is never mean to anyone - except a girl who steals your boyfriend.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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I don't see myself as a diva at all.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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Creating more and better jobs is how you build a strong economy.
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I'll never get married again, and I always hate to say never to anything, but I will never marry again.
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Because of lies, we can produce and invent a possible world.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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A hidden nerve is what every writer is ultimately about. It's what all writers wish to uncover when writing about themselves in this age of the personal memoir. And yet it's also the first thing every writer learns to sidestep, to disguise, as though this nerve were a deep and shameful secret that needs to be swathed in many sheaths.
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The ruling ideas of each age have ever been the ideas of its ruling class.
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I want my films to offer wholesome entertainment and not be my personal showreels.
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There was always that thing with 'Johnny' - I always saw myself as his writer and PR. But when he got out there, I had no control. His whole thing was going off on those flights of fancy. Going, 'Let's see what we can possibly do that hasn't been done before up here.' And when it works, it's lovely; it's a great night.
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In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.
