Brian Eno Quotes
In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Every member in Congress has a seat, and they deserve a seat at the table.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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Do we really want Washington administrators coming between us and our doctors?
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A lot of West Virginia is untouched. It doesn't have as many strip malls, it has these old towns that feel like it used to be how it looked. Charleston has this river that runs through it, and it's really beautiful.
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The most interesting thing about a postage stamp is the persistence with which it sticks to its job.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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You're in the lap of the gods. If people go, they go, and if they don't.
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A true heiress is never mean to anyone - except a girl who steals your boyfriend.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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I don't see myself as a diva at all.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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Creating more and better jobs is how you build a strong economy.
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I'll never get married again, and I always hate to say never to anything, but I will never marry again.
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Because of lies, we can produce and invent a possible world.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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A barrier for me – which has been both a strength and a weakness – has been my taste. The kind of things I'm interested in aren't always mainstream.
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I don't punish myself. Life's too short.
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My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
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I think visually... so, even when I'm writing a play, I'm envisioning it.
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He's a mean, mean man, but I love him all I can.
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One of the things I did in my book, I start off with, is explaining how great our grace was: the things we were able to accomplish after the first one-hundred years from slavery.
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In fact, quite a lot of what I do has to do with sound texture, and, you can't notate that. You can't notate the sound of "St. Elmo's Fire." There's no way of writing that down. That's because musical notation arose at a time when sound textures were limited. If you said violins and woodwind that defined the sound texture; if I say synthesizer and guitar it means nothing - you're talking about 28,000 variables.
