Brian Eno Quotes
When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
Quotes to Explore
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For every benefit you receive a tax is levied.
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I fought the best; I've never been afraid of anyone.
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I'm not going to tell the Palestinians how to arrange themselves. If they want to have their own entity and their own parliament as they do today, that's fine. If they want to connect to Jordan, which has a very big Palestinian population, and vote in the Jordanian government, that's fine.
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I would rather be on the set than doing anything.
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But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
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I've never fabricated or plagiarized anything.
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Save yourself some grief. Check with the publicist you hire to see what other books he/she has coming out at the same time as yours.
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If I'm not writing well, I'm not happy. If I'm not spending enough time with my family, I'm not happy. If I'm not connecting to friends or if I don't work out enough... You get the point. Everything has to be balanced. Nothing should be an extreme.
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Earth's dispossessed are vulnerable targets for extremists: those who teach that global justice is meaningless; that satisfaction can come only in violence, division, and intellectual isolation.
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The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn.
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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Canadians are very well behaved, they don't throw their food.
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I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
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My mother left me for seven years in an orphanage.
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I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character.
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I feel people care so much about their appearance - which is important, and I do still care about my appearance, but not that much. There's far more to life than that.
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Writing 'We Are Never Getting Back Together' was one of the most hilarious experiences I have ever had in the studio because it just happened so naturally.
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It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
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I think being a partner with the studios and networks and, more importantly, being a great source for consumers to watch that programming is always going to be a part of our programming mix.
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The apostle Paul never seemed to exhaust the topic of grace - what makes us think we can? He just kept coming at it and coming at it from another angle. That's the thing about grace. It's like springtime. You can't put it in a single sentence definition, and you can't exhaust it.
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I'm not the singing cookbook lady.
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I was so intent on trying to find a movie about an interesting life, but I wasn't living an interesting life myself.
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I feel glamour has a legit place on the ramp and in the fashion world. In films, glamour has to service the story.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
