Brian Eno Quotes
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
Quotes to Explore
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Fame didn't happen to me in my 20s, it has been a gradual thing which probably makes it easier to deal with.
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The vampires in the 'VAMPS' series judge each other as harshly as they judge humans, and basically, vampires don't get along very well. So you've got a culture that's from cradle to grave like the worst high school you've ever been in.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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I'd never stop traveling, and I love bringing my family along with me. My children have points of reference everywhere, friends from Milan to Los Angeles. I think it's really fun for them.
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People still kill in the name of religion. We haven't evolved to the point where we're one tribe called humans.
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Unfortunately, if you don't want to be in the spotlight, get out of it.
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I don't know if it's because I'm Latina or something, but I have no problem speaking my mind.
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From early morning to late at night, it's such an interesting life, and I'm healthy and free, and that's not so easy with a family.
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At the age of 11 I was about 6 ft. tall and my voice had completely broken. That caused problems. I was this gangly, spotty, very unattractive kid. I wasn't cool and I wasn't a nerd. I didn't even want to fit in with anyone.
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Let me die because I do not want to see the sun again.
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It used to be that you had to come to Silicon Valley, walk up Sand Hill Road, network with individuals. That's now being completely changed and turned on its head by the whole ICO thing.
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One of my favorite things about 'Star Trek' wasn't just the overt banter but the humor in that show about the relationships between the main characters and their reactions to the situations they would face; there was a lot of comedy in that show without ever breaking its reality.
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There are moments as a teacher when I'm conscious that I'm trotting out the same exact phrase my professor used with me years ago. It's an eerie feeling, as if my old mentor is not just in the room, but in my shoes, using me as his mouthpiece.
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Acting for me is very therapeutic. It's my shrink.
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If I feel that I'm not able to do my best work - whether that's my own fault or as a result of an editorial situation - then I need to stop doing it. I would rather not do something than do it badly or ineffectively. It's the only way I can live with myself and do right by the fans in the long haul.
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Curiosity begins as an act of tearing to pieces or analysis.
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I think I can regard myself as a political decision-maker.
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She plucked from my lapel the invisible strand of lint (the universal act of woman to proclaim ownership).
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We'll raise it with Secretary Rice, asking her to understand our situation, ... I do believe on this one the administration needs to stop taking assistance from the powerful lumber lobby.
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The performances you have in your head are always much better than the performances on stage.
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Dreams come to those who dare dream and wake up to make them a reality.
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I have a lot of trouble understanding all the detail of finance and administration - but if you combine intellectual and professional capacity with a social conscience, you can change things: countries, structures, economic models, colonial states.
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Whiplash' was just a lucky kind of convergence of events in that I'd been trying to get a bigger project off the ground with no success for a while, and then finally, out of frustration, I just wrote this leaner, meaner, personal script about my experiences as a jazz drummer, and that's the one that wound up getting made.
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I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
