Jaron Lanier Quotes
There is nothing more gray, stultifying, or dreary than life lived inside the confines of a theory.
Quotes to Explore
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I am a proud Zionist. I can tell you about every blossom that grows in this land. I know the history and the Bible.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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Kids have a great sense of humour. If you don't, you're going to miss out.
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As an inspiration to the author, I do not think the cat can be over-estimated. He suggests so much grace, power, beauty, motion, mysticism. I do not wonder that many writers love cats; I am only surprised that all do not.
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I don't work out but generally I am fit, which is why I don't work out.
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I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
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When I look at acting careers that I really admire, I see that it's been a precise decision-making process for these people. They make decisions based on what they love, and they do only the things that they are passionate about. They play only characters that they can't stop thinking about.
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Searches of al Qaeda sites in Afghanistan, undertaken since American-backed forces took control there, are not known to have turned up a significant cache of nuclear materials.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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'The Simpsons' money got bigger and bigger. When I left 'The Simpsons', no one thought that this thing was going to still be around. It's the cumulative effect. It's like, 'Oh my God, 25 years later, and it's still coming in.'
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The first epics were intended for recitation; the literary epic is meant to be read.
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My mother taught me to drive using the 'Detroit Method,' where speed limits and traffic lights are taken as cute suggestions.
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And a third thing is the understanding of the Church as a community, a communion which is just a hierarchy but the people of God, whose servants are the priests and bishops.
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I don't really see myself as an actor.
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I've always wanted to take up work that my heart is convinced about. And I shall continue to do so.
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I was drawn to street photography because there are pictures everywhere there: a woman holding a dog, a baby screaming to be put in a pram, kids playing punch ball, stores with huge barrels of kosher pickles outside. I wanted to photograph life, and here it was.
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I have very much been a guy who's acknowledged how many women have directed me, have produced... it's been unbelievable.
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I am not young enough to know everything.
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In my 20s, when I was a photojournalist in Beijing. I joined an underground art group and put on clandestine exhibitions of my paintings.
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The conversational overachiever is someone whose grasp exceeds his reach. This is possible but not attractive.
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One of the things about animal rights, which is not the only thing that I care about in this world, is that your money can bring success. I see results.
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The only one that's appeared in my dreams is the one from Aliens. H.R. Giger's version of that Necronom was almost like a tic. It's reptilian. That creature is like a baby and tic combined. It's very frightening. It scared the hell out of me, it really did.
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There is nothing more gray, stultifying, or dreary than life lived inside the confines of a theory.
