Jason Katims Quotes
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We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
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How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.
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My first job in television was on 'My So-Called Life.'
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It's so funny because a lot of times we'll have these discussions as writers, and you feel like you're having a discussion with your wife: 'I don't know. Are they ready to have another baby? Is it time? Well, she's not getting any younger.'
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I'm not somebody who goes online after every episode airs because that would be, for me, getting too much feedback and too much information.
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The 'Moonlighting' tension of the couple that obviously never can get together, there's an innate sort of fun and tension in that.
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The stories in 'Parenthood' are so much the stories of our lives. And the people who have worked on the show feel very connected to these characters.
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You're breaking up, you're getting together, you're changing your life, you're arguing with your parents, you're making terrible mistakes, you're having great triumphs. It's what happens to teenagers.
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I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
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Many of the things that I have written on have focused, at least a big part of the story, on adolescents. I think that in that period of life, so much happens, and it's the period of life where you're forming into an adult. In certain ways, you're already an adult and in certain ways you're still a kid.
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I sort of was inspired by 'Friday Night Lights,' where it was a very different show, but similar in that they were both large ensemble dramas where you had many stories going on at once. I wanted to do a show that shared that element, and that's really why I wanted to develop 'Parenthood' as a series.
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Any show I'm working on, I want the stories to always be about something, and to have the potential to be emotional. That's the kind of story that I like.
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The environment in a writer's room, I've really come to feel, should be some form of democracy.