Jason Pierre-Paul Quotes
That's the whole part of playing football and having training camp. Coming in and recognizing how players play.
Quotes to Explore
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People just decided I was an R&B artist because I'm black.
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I want to drink champagne from ladies' shoes.
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I like that in 'Caprica' the virtual world is a new thing. The parents didn't have that growing up. And it's the same thing about the Internet and all the current technology. It didn't exist like it does now for our parents' generation. Kids aren't relating to their parents anymore, and I just find that so honest.
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A friendship can weather most things and thrive in thin soil; but it needs a little mulch of letters and phone calls and small, silly presents every so often - just to save it from drying out completely.
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Well, I think I was always sort of reflecting where I was and my sense of surroundings and ecology, urban or country, or foreign, living in Europe, very affected by all of that.
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I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
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Until I went to rehab, I didn't understand what it did.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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I would never wear anything too revealing. I'm not a fan of dresses where you look nude... I think that looks a bit desperate.
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Chinese learning is an internal learning, but Western learning is an external one; Chinese learning is for the cultivation of oneself, just as Western learning is for the handling of worldly affairs.
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I think retirement's for old people. I'm still in the business, thank you. I have a young child of nine years old, and I want to live as long as I can to see him grow up. I'm enjoying my life and I want to stick around for as long as I can.
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For me, good service is efficient and discreet; it's that critical balance. As soon as the client sits down, the communication flow has to start. Customers need to feel that the waiters are supervised - that there's a system in place.
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James Joyce was a synthesizer, trying to bring in as much as he could. I am an analyzer, trying to leave out as much as I can.
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The thing that scares me is a place like the Amazon – which is the size of the continental U.S. and mostly unexplored and has a different ecosystem, there are so many things in there that can kill you.
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The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.
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Banks operate like a man who either wears his trousers round his chest, stifling breathing, as now, or round his ankles, exposing his assets. We want their trousers tied round their middle: steady lending growth; particularly to productive British business, especially small scale enterprise.
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Our men and women in our armed forces are the real heroes in this conflict.
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There is a certain amount of commerce in the film industry in as much as you have value, and for a moment, your value goes up, then it all disappears again.
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After 'Lost', I never need to take a job for the money again.
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There's this perception that there's a pipeline problem for women and people of color. I don't buy into that. I think we have a broken doorbell problem, and there are plenty of women and people of color standing at the doorstep trying to get in the door, and nobody's opening it.
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I advise you to say your dream is possible and then overcome all inconveniences, ignore all the hassles and take a running leap through the hoop, even if it is in flames.
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I really feel like 'True Blood' is a big, giant slice of cake for the audience every week; it's offering people 60 minutes of sometimes thought-provoking entertainment. If you're gonna give an Emmy out, you should probably give it to the audience of 'True Blood.'
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I'm not a twentieth-century novelist, I'm not modern, and certainly not postmodern. I follow the form of the nineteenth-century novel; that was the century that produced the models of the form. I'm old-fashioned, a storyteller. I'm not an analyst, and I'm not an intellectual.
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That's the whole part of playing football and having training camp. Coming in and recognizing how players play.
