Jason Pierre-Paul Quotes
Quotes to Explore
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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That was one of those moments where I felt so confident. I played three matches in the same day.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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If you get lazy when you're onstage, it shows.
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I am still shocking people today, and I don't know why. Is it because I'm a woman talking about sex and men? One magazine said that no one writes sex in the back of a Bentley better than Jackie Collins.
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Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
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I had self-esteem issues into my early 20s.
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I was always a writer – working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV – that was always my goal.
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As an actor, you look for roles that can constantly challenge you and you can learn from.
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Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
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I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
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The Israeli public is frustrated with the way it is portrayed abroad.
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I barely watch TV apart from the news. Most of it is rubbish. There's all this reality nonsense and dross. I think there's a market for a well-produced, well-written melodrama like 'Dallas.' It's pure entertainment.
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Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
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I'm going to be shaking my booty when I'm 55.
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The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
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No one trains like me. No one rides like me. This jersey's mine. I live for this jersey. It's my life. No one's taking it away from me. This fucking jersey's mine.
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The problem that we have is that most Americans don't even study American history, let alone Pinochet, Mussolini, Hitler, Stalin and all these guys.
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Namely, we have no right to believe a thing true because everybody says so unless there are good grounds for believing that some one person at least has the means of knowing what is true, and is speaking the truth so far as he knows it.
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To properly prepare to receive personal revelation, we must repent, ask through prayer, be obedient, search the scriptures, fast, think pure thoughts, and develop a spirit of reverence.
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I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.
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That zone sagged off us late in the game. We were looking for Tyler, but they had a guy sitting in his lap and a guy behind him. So it was tough to get him the ball.
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The less thinking you do, the better you play.
