Jason Pierre-Paul Quotes
Quotes to Explore
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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That was one of those moments where I felt so confident. I played three matches in the same day.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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If you get lazy when you're onstage, it shows.
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I am still shocking people today, and I don't know why. Is it because I'm a woman talking about sex and men? One magazine said that no one writes sex in the back of a Bentley better than Jackie Collins.
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Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
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I had self-esteem issues into my early 20s.
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I was always a writer – working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV – that was always my goal.
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As an actor, you look for roles that can constantly challenge you and you can learn from.
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Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
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I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
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The Israeli public is frustrated with the way it is portrayed abroad.
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I barely watch TV apart from the news. Most of it is rubbish. There's all this reality nonsense and dross. I think there's a market for a well-produced, well-written melodrama like 'Dallas.' It's pure entertainment.
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Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
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I'm going to be shaking my booty when I'm 55.
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The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
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No one trains like me. No one rides like me. This jersey's mine. I live for this jersey. It's my life. No one's taking it away from me. This fucking jersey's mine.
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America has to stand up and decide if we want to be a socialist nation or if we're going to be a free nation.
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The truest you can be is taking off those clothes.
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But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later.
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As an actor, if I show up late somewhere or I say something that's eccentric, it's totally acceptable - not only that, it's lauded in some perverse way.
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The less thinking you do, the better you play.
