Jason Pierre-Paul Quotes
Quotes to Explore
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I was a hot-dog stand lady, I was an orphan housemother, I was a waitress 3 or 4 times. All of those jobs did not have good bosses. They basically told you what to do, when to do and when to hop. And I just didn't like that very much.
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That was one of those moments where I felt so confident. I played three matches in the same day.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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If you get lazy when you're onstage, it shows.
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I am still shocking people today, and I don't know why. Is it because I'm a woman talking about sex and men? One magazine said that no one writes sex in the back of a Bentley better than Jackie Collins.
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Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
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I had self-esteem issues into my early 20s.
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I was always a writer – working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV – that was always my goal.
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As an actor, you look for roles that can constantly challenge you and you can learn from.
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Egyptian comedy has a very, very old tradition. Our theater and our movies are just, like, amazing. And Egypt is kind of like the Hollywood of the Middle East. I mean, we had cinema maybe decades before the other Arab countries ever got independence.
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I'm quite intuitive about what I pick. Often it's to do with what I've just done and how I'm feeling.
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The Israeli public is frustrated with the way it is portrayed abroad.
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I barely watch TV apart from the news. Most of it is rubbish. There's all this reality nonsense and dross. I think there's a market for a well-produced, well-written melodrama like 'Dallas.' It's pure entertainment.
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Steven Tyler isn't in Aerosmith anymore, but his gravestone will probably say something about Aerosmith.
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I'm going to be shaking my booty when I'm 55.
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The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
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No one trains like me. No one rides like me. This jersey's mine. I live for this jersey. It's my life. No one's taking it away from me. This fucking jersey's mine.
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Human rights are not a privilege granted by the few, they are a liberty entitled to all, and human rights, by definition, include the rights of all humans, those in the dawn of life, the dusk of life, or the shadows of life.
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You are wrong. The state and its existence are essential before everything else. All this preoccupation with liberty is not serious.
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It is an actor's defect. I want everybody to like me, so I'll say what I think will please them.
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The artist, depicting man disdainful of the storm and stress of life, is no less reconciling and healing than the poet who, while endowing Nature and Humanity, rejoices in its measureless superiority to human passions and human sorrows.
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Some guys, when they play with other elite players, they end up being too unselfish; or guys who are used to having the ball in their hands all the time, now they're not as aggressive or as instinctive because they're thinking too much out there.
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The less thinking you do, the better you play.
