Jason Reitman Quotes
And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
Quotes to Explore
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The rule of improvisation I took to heart was, 'Don't think.' I tend to over-think things, so that was a big lesson for me.
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A historical romance is the only kind of book where chastity really counts.
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I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
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Many leaders of big organizations, I think, don't believe that change is possible. But if you look at history, things do change, and if your business is static, you're likely to have issues.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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I love sailing but hate cruise ships.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.
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When people get things for free, they tend to not take them as seriously.
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The media is an ally when it comes to showing the truth about terrorist groups. Attacking the media will not produce a more compliant citizenry. It will produce a more alienated, suspicious and disenfranchised public, one more likely to chafe under a government's attempts at control, all to the benefit of terrorist groups.
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I have lived a long life, and I am proud that I spend the whole of my life in the service of my people. I am only proud of this and nothing else. I shall continue to serve until my last breath, and when I die, I can say, that every drop of my blood will invigorate India and strengthen it.
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I've always been a reader and a writer.
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You tax Mexico? The president of the United States is going to tax Mexico to get a wall for the United States of America? I'm pointing out the absurdity of a lot of these comments.
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I think what happened during the Great Depression was that African Americans understood that Republicans championed citizenship and voting rights but they became impatient for economic emancipation.
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Running doesn't come easy to me, especially the first thirty or so minutes. My message is take it one step at a time.
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We no longer seek the 'cause' of events in the nature of a single isolated object, but in the relationship between an object and its surroundings.
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Of course most Americans don't know how A.I.G. brought the world's financial system to near-ruin or what credit-default swaps are. They may not even know what A.I.G. stands for. But Americans do make the connection between their fears about their own jobs and their broad understanding of the A.I.G. debacle.
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Even for the people in the bank into which the other banks are merging, they also have a lot of apprehension. There is always an apprehension that opportunities will go down. There are apprehensions of displacement. Many of these apprehensions are unfounded.
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I consider myself a feminist because I believe women should have equal rights. Of course. It's just that the term 'feminism' conjures up other things for people.
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And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
