Jason Reitman Quotes
And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
Jason Reitman
Quotes to Explore
The rule of improvisation I took to heart was, 'Don't think.' I tend to over-think things, so that was a big lesson for me.
Kate Micucci
A historical romance is the only kind of book where chastity really counts.
Barbara Cartland
I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
Hans-Ulrich Obrist
Many leaders of big organizations, I think, don't believe that change is possible. But if you look at history, things do change, and if your business is static, you're likely to have issues.
Larry Page
I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
Ira Glass
And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
Frances Wright
I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.
Larry Hagman
I'd defend myself. But I don't go around shoving people around; that's not me at all - that's for a cop. I'm not into that type of behavior at all.
Henry Rollins
Black Flag
This radical Islam is a religious-based ideology. And you actually have to, when you deal with the ideology, you have to attack it on that basis.
Jack Keane
Whatever is not an energy source, is an energy sink.
Marge Piercy
And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
Jason Reitman