Jason Reitman Quotes
And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
Quotes to Explore
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The rule of improvisation I took to heart was, 'Don't think.' I tend to over-think things, so that was a big lesson for me.
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A historical romance is the only kind of book where chastity really counts.
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I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.
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Many leaders of big organizations, I think, don't believe that change is possible. But if you look at history, things do change, and if your business is static, you're likely to have issues.
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I am such a do-goody, people-pleasing kid - or I was - I don't think I've ever been fired, not even from an ice cream shop, magician for kids' parties, not even in my early jobs in radio.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.
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I love sailing but hate cruise ships.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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I don't know if I have a brand. I just see myself as an athlete and a competitor, someone who just works really hard at trying to get better at golf. I guess I'm kind of the feel-good story who's seen every level of professional golf.
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When people get things for free, they tend to not take them as seriously.
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The media is an ally when it comes to showing the truth about terrorist groups. Attacking the media will not produce a more compliant citizenry. It will produce a more alienated, suspicious and disenfranchised public, one more likely to chafe under a government's attempts at control, all to the benefit of terrorist groups.
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The challenge of a cathedral is very good for architectural inventiveness.
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I have lived a long life, and I am proud that I spend the whole of my life in the service of my people. I am only proud of this and nothing else. I shall continue to serve until my last breath, and when I die, I can say, that every drop of my blood will invigorate India and strengthen it.
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I've always been a reader and a writer.
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You tax Mexico? The president of the United States is going to tax Mexico to get a wall for the United States of America? I'm pointing out the absurdity of a lot of these comments.
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I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.
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I think what happened during the Great Depression was that African Americans understood that Republicans championed citizenship and voting rights but they became impatient for economic emancipation.
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We have a window of opportunity to prevent a pandemic or at least delay the spread of a pandemic.
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We have to try harder to do our best every day, challenge ourselves to better our world.
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People are just dumb. They misunderstand.
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In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
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And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
