Pete Docter Quotes
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
Quotes to Explore
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In real life, I'm polite and nice all the time. It's fun to play people who aren't. It's escapism.
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I don't know who Little Richard is.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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It couldn't have happened anywhere but in little old New York.
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In many films, as many different characters, I've killed many different people.
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I love Jen Meyer - she's a dear friend, and Tabitha Simmons as well.
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The Palestinian election is something that was really a turning point. It's a mandate for peace.
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Everything that I design I would wear myself.
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I feel very comfortable with my trajectory because I do have a life; I can go on the subway, you know? And I've been able to do that my entire career, and I have friends who are huge movie stars and can't go on the subway, and I feel like that sucks.
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My impression of Americans from the beginning is of the best, and I have never since had cause to alter my mind. They are a kind, sympathetic race of people and naturally proud of their country.
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History teaches us that men and nations behave wisely once they have exhausted all other alternatives.
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Honour sinks where commerce long prevails.
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When my senior prom was happening, I was in Malta filming 'Troy.'
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I'm missing work. We didn't have enough money for preschool. I had a panic attack. I couldn't do it. I became one of those horrible foster parents who give the kids back.
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The emphasis should be on why we do a job.
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The dialysis is to wash my blood, to keep my kidneys functioning.
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I have like 20 snap-up shirts in my closet, and I never, never would have thought before FNL would I have had that.
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Drinking a cup of coffee with your eyes closed isn't a sophisticated task for a person, but it's hard for a robot.
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Nothing is quite so wretchedly corrupt as an aristocracy which has lost its power but kept its wealth and which still has endless leisure to devote to nothing but banal enjoyments. All its great thoughts and passionate energy are things of the past, and nothing but a host of petty, gnawing vices now cling to it like worms to a corpse.
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I've had high-powered publicists in my career, and I've had publicists when they've had no power. I've run the gamut.
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In our story logic which we're making up, if we're saying he's alive, then like a quadriplegic who's in bed he can move his head and shoulders, but he can't move his arms. If he could just turn on that power to his legs and arms, the nerves could get through and he could walk.
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That's the thing about Lionsgate. They are fearless. No other studio would have made 'Hunger Games' the way they did. They're being fearless in the way they make decisions, and it's paying off for them.
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Talent, like beauty, to be pardoned, must be obscure and unostentatious.
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In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
