Jasper Fforde Quotes
I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.
Quotes to Explore
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'Skins' is about a group of teenagers in Bristol, and it's all about what they get up to and all the different things they do. I think it's a good show because it's come from a very real place, and there's a lot of young people involved in the writing.
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Albania is at risk and we are living in difficult times.
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I like the performing. And interviews, even. And the stuff that's not sitting in a room by yourself with empty paper. But I never loved writing, to tell you the truth.
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The correctness and quality of what you write do not matter; the act of writing does.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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There are three rules for writing a novel. Unfortunately, no one knows what they are.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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There aren't a lot of 'Aha!' moments in writing.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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Storytelling is storytelling. Good stories need compelling characters and interesting conflicts. That's the bottom line no matter what medium you're writing for.
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A man ceases to be an honest doubter the moment he refuses one way of getting at the truth because he does not like that way.
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I've been kicked in the teeth more times in tennis than the law ought to allow.
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If a thing seems to you worth working for at all, if it appears to you of moment enough to challenge any effort, then put into what you do all the enthusiasm of which you are capable, regardless of criticism.
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It's one of the best leagues in Europe in football. Benfica in my opinion is one of the top 10 biggest clubs in the world.
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I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.
