Jean Arp Quotes
We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art.
Quotes to Explore
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In America, to be ID'd - sorted, tagged, and permanently filed - is to lose a bit of one's soul. To die a little. This sounds like a subtle, poetic notion. It's not. In American legal and cultural tradition, one essential privilege of citizenship is not having to prove it on demand.
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Of course, I want to look the best I can, but I am playing characters that should match my age, and the women and the material that I am interested in are usually going through something. I have to be able to live in my face and tell the story of the character I've taken on.
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I'm just someone who marvels at God.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
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I was working at the NSA. I don't know, I was just bored. I just knew that's not what I was supposed to be doing with my life.
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'Game of Thrones' has multiple story lines, multiple countries, and it's complete fantasy.
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I am a self-critical perfectionist.
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I have a different way of thinking. I think synergistically. I'm not linear in thinking, I'm not very logical.
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Medicine, you have to take it. A vitamin is nice to have, but honestly, you can skip it.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I sometimes just don't like to see the Ultimate Fighting. I just find it, as a martial artist, I just find it too violent.
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'Family Ties' was a very successful situation comedy. And, in almost every respect, it functioned on a day to day basis like a well-run, well conditioned basketball team. The show was performed live each week in front of a studio audience on Friday night.
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I think increasingly we want to read the history that wasn't written by the victors.
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I have no literary fears.
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In my opinion, Christian Dior was never, ever theatre.
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It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.
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One who no longer wishes to laugh had best marry in France; they will soon find that it is no laughing matter.
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I think being shy or a little bit more mild-mannered is more how you treat people and how you go about your business, not necessarily how you dress or things of that nature.
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Humans make errors. We make errors of fact and errors of judgment. We have blind spots in our field of vision and gaps in our stream of attention. Sometimes we can't even answer the simplest questions.
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With 'The Forty Rules of Love,' I wanted to write a love story. But I wanted a love story with a spiritual dimension. For me, that took me to Rumi. And from Rumi, I went to Shams of Tabriz. That's how the story took shape.
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We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art.
