Brian Reitzell Quotes
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
Quotes to Explore
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
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It's a hard thing to imagine how somebody copes with grief and at the same time has to build a new life.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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One becomes a grandfather and one sees the world a little differently. Certainly the world becomes a more vulnerable place when one has a grandchild, or now I have two. And I think that possibly there's some tenderness that came out of just time and age and being a parent and grandparent.
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I tell inmates all the time, 'Don't complain about your grind. Do your time.'
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There is no room for second place. There is only one place in my game and that is first place. I have finished second twice in my time at Green Bay and I never want to finish second again.
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Another time I cracked two of the vertebrae in my back and broke a rib.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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Music is really something that makes people whole.
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Listening to soft music and the sound of the ocean is quite relaxing to me.
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I went to Rosemary Beach, Florida, for the first time in the spring of 2012.
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To me it's all about textures, and that's the side of music that I'm finding really exciting. I feel like it's one of the only parts of music that mankind hasn't fully discovered yet.
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The biggest battles in human history can only ever be seen through the eyes of the bloke on the front line, and that's by definition a very focused view and one that will vary from individual to individual.
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My kids don't go back and forth; none of this 50/50 time with the mums and dads. My children live with me; that is it.
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The more determinedly I exist, as myself, within the conditions of the time, the more clearly I shall hear the language of the past, the nearer I shall feel the glow of its life.
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God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.
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Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
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It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
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Every time you have to speak, you are auditioning for leadership.
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Music is supposed to wash away the dust of everyday life.
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It doesn't matter to me whether I go back to outer space or not. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another room, or we go from one place to another or whatever, the music is just going with it the whole time the same way that the audience is sort of tracking it and following along.
